Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Ursus-Press
None
Ursus Typographicus
Each image is a version of the press device--a bear, usually with a press--commissioned by the press for various books over the years.
Key Writers on Art: The Twentieth Century
Key Writers on Art: The Twentieth Century offers a unique and authoritative guide to modern responses to art. Featuring 48 essays on the most important twentieth century writers and thinkers and written by an international panel of expert contributors, it introduces readers to key approaches and analytical tools used in the study of contemporary art. It discusses writers such as Adorno, Barthes, Benjamin, Freud, Greenberg, Heuser, Kristeva, Merleau-Ponty, Pollock, Read and Sontag.
Apologia Pro Tychone Contra Ursum
Nicholas Jardine offers here an edition and the first translation into English of Johannes Kepler's A Defence of Tycho against Ursus. He accompanies this with essays on the provenance of the treatise - the circumstances which provoked Kepler to write it, an analysis of its strategy, style and historical sources and of the contents of Ursus' Treatise on Astronomical Hypotheses to which Kepler was replying. Dr Jardine also provides three extended interpretive essays on the intrinsic interest and historical significance of the work.
The Sound of the English Picturesque
Revealing the connections between the veneration of national landscape and eighteenth- century English vocal music, this study restores English music’s relationship with the picturesque. In the eighteenth century, the emerging taste for the picturesque was central to British aesthetics, as poets and painters gained popularity by glorifying the local landscape in works concurrent with the emergence of native countryside tourism. Yet English music was seldom discussed as a medium for conveying national scenic beauty. Stephen Groves explores this gap, and shows how secular song, the glee, and national theatre music expressed a uniquely English engagement with landscape. Using an interdiscipli...
Moved to Tears
In this volume, Bedell examines received ideas about sentimental art. Countering its association with trite and saccharine Victorian kitsch, she argues that major American artists--from John Trumbull and Charles Willson Peale in the eighteenth century and Asher Durand and Winslow Homer in the nineteenth to Henry Ossawa Tanner and Frank Lloyd Wright in the early twentieth--produced what was understood in their time as sentimental art: art intended to develop empathetic bonds and to express or elicit social affections, including sympathy, compassion, nostalgia, and patriotism.
Private Press Books
None
