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Jewels of the Nizams
About the Book : - The first-ever study of one of the most outstanding collections of gemstones and jewellery of a fabulously wealthy dynasty of India that ruled the Deccan for seven generations. Sometimes worn but never shown, these jewels belonged to the Nizams of Hyderabad, once reputed to be the richest men in the world. Finely crafted from gold and silver and exquisitely enamelled, the jewels are set with Colombian emeralds, Golconda diamonds, Burmese rubies and spinels, and pearls from Basra and India. About the Author : - Usha R Bala Krishnan is a jewellery historian, lecturer and fine arts consultant based in Mumbai.Bharath Ramamrutham is internationally recognised as one of the foremost photographers in India of the built, human and natural environment.
Indian Jewellery
This fascinating volume contains over 500 colour photographs, many from previously undocumented collections. It is full of fascinating historical detail, including the legend of the Koh-i-Noor diamond, now the centrepiece of the State Crown of Queen Elizabeth II. The book explains the skill and techniques of the Indian craftsmen and reveals
Icons in Gold
This elegant volume celebrates the tradition of Indian jewelry, featuring the gorgeous collection of Indian gold jewels in the Musee Barbie-Mueller.
Tree and Serpent: Early Buddhist Art in India
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful...
Jewelry
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} As an art form, jewelry is defined primarily through its connection to and interaction with the body—extending it, amplifying it, accentuating it, distorting it, concealing it, or transforming it. Addressing six different modes of the body—Adorned, Divine, Regal, Transcendent, Alluring, and Resplendent—this artfully designed catalogue illustrates how these various definitions of the body give meaning to the jewelry that adorns and enhances it. Essays on topics spanning a wide range of times and cultures establish how jewelry was used as a symbol of power, status, and identity, from earflares of warrior heroes in Pre-Colombian...
Indian Traces in Korean Culture
Indian traces in Korean Culture examines the enduring cross-cultural discourse between India and Korea over the centuries, emphasizing the transformative power of cultural exchange beyond geographical and temporal constraints. The book analyses how symbols transcend sensory realms and embody spiritual content and suggests that Indian associations in Korean culture reflect a hybridized nature, seamlessly blending cultural elements. The author presents various facets of the cultural exchange between India and Korea, covering Princess Hŏ Hwang-ok's legendary Indian origins shaping Korean identity, Ilyŏn's strategic documentation of Buddhism's transmission, the influence of Indian figures such...
Dance of the Peacock
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Jewels of the Nizams
This is the story of the incalculable wealth of the Asaf Jah dynasty. Wealth that has lain concealed in the darkness of a bank vault for over 50 years. It is the study and documentation of gemstones and jewels that few people have had the opportunity to see and handle. The collection of jewels of the nizams of Hyderabad is one of the finest in the world. In addition to turban ornaments, gem-set and enamelled necklaces, earrings, armbands, bracelets, belts and other items of jewellery, it includes twenty-two unset emeralds and the fabled 184.50 carat Jacob Diamond - a magnificent South African gem believed to have been used by the last Nizam as a paperweight After the integration of Hyderabad...
The Mysterious Mr Jacob
It was a scandal that rocked the highest echelons of the British Raj. In 1891, a notorious jeweller and curio dealer from Simla offered to sell the world's largest brilliant-cut diamond to the fabulously wealthy Nizam of Hyderabad. If the audacious deal succeeded it would set the merchant up for life. But the transaction went horribly wrong. The Nizam accused him of fraud, triggering a sensational trial in the Calcutta High Court that made headlines around the world...
Portraits in Princely India, 1700-1947
Since Independence, the princes and regional rulers of India have mostly been seen as anachronistic figures, too closely associated with the former colonial government, and often a byword for extravagance, sybaritic lifestyles, and mild despotism. When in 1967 they were stripped of their privy purses by Prime Minister Indira Gandhi, there were more protests in Britain than in India. No serious efforts have been made to put these men, and a few women, in a pictorial context, to examine the differing styles of portraiture favoured by them, and the motives behind the pictures, until now. The more one gazes at these important but hitherto neglected works of art, the more questions are raised. This book attempts to answer and interpret some of them. The arrival of European painters in late 18th century India presented a new opportunity for Indian rulers to commission self-portraits of a different kind, and also to influence indigenous artists in new styles and paint mediums. The arrival of photography brought a further opportunity for them to be pictured in different ways.
