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BigmoutH/SmallWaR
BigmoutH He who picks his words well can turn the weakest argument into the strongest. Valentijn Dhaenens pays tribute to 2,500 years of oration. Ingeniously weaving together fragments of seminal sermons, declarations of war, farewells, final arguments, victory speeches and eulogies from the Grand Inquisitor and Socrates to Mohammed Ali and Osama Bin Laden, BigmoutH shows that the tricks of rhetoric have hardly changed. SmallWaR When clean souls boil up in the backwash, they will consolidate after the final war, into a peace that shall endure... but not till then. By examining the things cast up in the backwash, we can gauge the progress of humanity. Ellen Newbold-La-Motte, nurse in a field hospital, behind the front lines in 1914. A nurse maintains watchful vigil over patients as fragments of past wars lurk within the shadows. SmallWaR tells the story in the words of those who were there and led the way, and – crucially – those who followed.
Aural/Oral Dramaturgies
Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre,...
The Edinburgh Festival
True, the city's many summer festivals each maintain their own identities. And yet 'The Festival' has stuck as a shorthand which captures the truly eclectic experience of 'doing Edinburgh' which has made the city's very name synonymous with world-leading culture and performance. This book is the first to tell the complete history of the Edinburgh Festival. Arts writer David Pollock paints an extraordinary portrait of the growth, glory years and struggles of this global cultural phenomenon. He introduces a wide cast of key individuals and shows, including Fleabag, Peter Cook and Dudley Moore, Billy Connolly, Emma Thompson, Stephen Fry, Joseph Beuys, The Fall and Six The Musical. The Edinburgh Festival: A Biography provides a unique perspective on the social and cultural history of Scotland and its capital in the late 20th and early 21st centuries. It will delight and intrigue all who have experience of the greatest festival in the world.
Hybrid Documentary and Non-Binary Cinema
Hybrid Documentary and Non-Binary Cinema offers an expansive exploration of the contemporary documentary cinema form, aesthetics, and ethics. Beginning with an exploration of the parameters and definitions of documentary cinema this book will focus on recent and present‐day examples of work that blur the lines between fiction and non‐fiction. This book will also take a series of case studies to question the vision and motives of filmmakers working between documentary and fictional films. It will consider the aesthetic and ethical challenges of these works and look toward the future of non-fiction filmmaking after the internet, and in the realm of the metaverse. This book will offer both an entry point to discover new tendencies and a deeper understanding for those readers who are more familiar with the field. Given its interdisciplinary subject nature, this book will appeal to audiences across a spectrum of interests such as film, fine art, anthropology, documentary, sociology, and drama.
E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture
Zusammenfassung: Variously translated as "estrangement," "enstrangement" or "defamiliarization," Viktor Shklovsky's concept of ostranenie is more relevant than ever. This collection offers new insights into the theories and practices of ostranenie across various languages and cultures, with a particular focus on the 20th and 21st centuries. Our current era is marked by a dramatic redefinition of the normal and the strange, the familiar and the weird. The rise of far-right populism has increasingly normalized xenophobic and nativist stances previously confined to the fringes of the political spectrum. Additionally, the climate crisis has led to the ongoing renegotiation of the concepts of nor...
Landscape with Skiproads/Book Burning
Landscape with Skiproads On stage, a collection of objects that have played a unique role in our history. Without exception these are the objects that were present at key moments in history. They were there when we became who we are today. When once more a stretch of our path was laid down for us, they were present in silence. With these, Pieter De Buysser, a boy and his horse are on a search for a lost future. A joyful and epic journey is taking off. Book Burning History is clogged. There are no more revolutions. What else can we add? In Book Burning, Pieter De Buysser tells the story of Sebastian, a man he met at an Occupy demonstration, whose life has become embroiled in a WikiLeaks scand...
Staging Systemic Violence
This study offers a historicization of the 2010s in British theatre with a focus on the representation of systemic violence, exploring productions that engage with concerns of protest, climate crisis, neoliberalism, racism and gender-based violence. It offers a range of case studies from established and emergent playwrights such as Caryl Churchill, Martin McDonagh, Anders Lustgarten, Lucy Kirkwood, Ella Hickson, Jasmine Lee-Jones, debbie tucker green, Zinnie Harris, and Travis Alabanza. Productions of their work in the 2010s are analysed through a framework of cultural theory, philosophy, and theatre and performance studies that offer insightful conceptions of violence and performativity. Central to this book is the belief that theatre has the ability to depict issues of systemic violence in thoughtful and valuable ways, drawing on the medium's specific relations between creatives, texts, spectatorship and audiences to mindfully engage participants in the most pressing societal and cultural concerns of their time.
Mush and Me
People talk. Rumours spread. No one approves. In greasy spoons and hotel rooms, two young believers are reluctantly falling in love. Gabby and Mush are united by a mutual love of hummus, but they remain stubbornly at odds over faith and family ties. Cultural pressures and contemporary life collide in this stirring new play by Karla Crome. Mush and Me was inspired by lead actress' Great Aunty Nancy, who is a 101-year-old Jewish woman. When she was in her early twenties she received a marriage proposal from a non-Jewish man. She declined on account of her family's disapproval. What is the modern-day equivalent? The idea of a fractious flirtation between a Jewish girl and a Muslim guy took seed, and Gabby and Mush were born. Theirs is a modern love story for multicultural Britain, which asks: are interfaith relationships limiting or liberating? Do they constitute a mark of betrayal or a sign of progress?
seizoenspocket 13-14
deSingel seizoenspocket 2013-2014
Catalogue Clermont FilmFest00
Catalogue du 22e Festival du Court Métrage de Clermont-Ferrand 2000
