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Such Freedom, If Only Musical
Following Stalin's death in 1953, students at Soviet conservatories were able to use various channels to acquire and hear music that had previously been forbidden. This book traces the changing compositional styles and politically charged reception of the music.
Analytical Essays on Music by Women Composers: Concert Music, 1900-1960
In Analytic Essays on Music by Women Composers: Concert Music, 1900-1960, editors Laurel Parsons and Brenda Ravenscroft collect innovative reinterpretations of women composers' work over the first half of the twentieth century.
Jani Christou
In this first extensive study in English of the Greek composer Jani Christou (1926-1970), Anna M. Lucciano presents his exceptionally striking personality, that of a highly original composer who made an essential contribution to new music. Anna M. Lucciano has long studied the private archives of Jani Christou.
Charles Koechlin (1867-1950)
In 1942 Wilfrid Mellers classed Koechlin "among the select number of contemporary composers who really matter," yet it is only in the 1980s that Koechlin has begun to achieve the recognition he deserves as a composer of breadth, vision and powerful originality: a pioneer of polytonality and a master orchestrator who was greatly admired by contemporaries such as Faure, Debussy, Satie and Milhaud. Lavishly illustrated with photographic and musical examples, this book provides the first comprehensive evaluation of Koechlin's life and works. As well as concentrating on major symphonic works like Koechlin's Jungle Book cycle, it also discusses his attraction to the early sound film and the music inspired by such stars as Lilian Harvey, Marlene Dietrich and Charlie Chaplin in the 1930s. Koechlin's career provides a fascinating study of the triumph of integrity and independence over almost overwhelming odds, and is rich and varied output offers a veritable treasure-trove for performers, scholars and enthusiasts alike.
Linguistics and Semiotics in Music
This handbook for advanced students explains the various applications to music of methods derived from linguistics and semiotics. The book is aimed at musicians familiar with the ordinary range of aesthetic and theoretical ideas in music; no specialized knowledge of linguistic or semiotic terminology is necessary. In the two introductory chapters, semiotics is related to the tradition of music aesthetics and to well-known works like Deryck Cooke's The Language of Music, and the methods of linguistics are explained in language intelligible to musicians. There is no limitation to one school or tradition; linguistic applications not avowedly semiotic, and semiotic theories not connected with linguistics, are all included. The book gives clear and simple descriptions with ample diagrams and music examples of the 'neutral level', 'semiotic analysis', transformation and generation, structural semantics and narrative grammar, intonation theory, the ideas of C.S. Peirce, and applications in ethnomusicology.
Saints in the Limelight
Table of contents
Shostakovich in Dialogue
A thorough examination of Shostakovich's string quartets is long overdue. Although they can justifiably lay claim to being the most significant and frequently performed twentieth-century oeuvre for that ensemble, there has been no systematic English-language study of the entire cycle. Judith Kuhn's book begins such a study, undertaken with the belief that, despite a growing awareness of the universality of Shostakovich's music, much remains to be learned from the historical context and an examination of the music's language. Much of the controversy about Shostakovich's music has been related to questions of meaning. The conflicting interpretations put forth by scholars during the musicologic...
Performing Pain
Time after time, people turn to music when coping with traumatic life events. Music can help process emotions, interpret memories, and create a sense of collective identity. In Performing Pain, author Maria Cizmic focuses on the late 20th century in Eastern Europe as she uncovers music's relationships to trauma and grief. The 1970s and 1980s witnessed a cultural preoccupation in this region with the meanings of historical suffering, particularly surrounding the Second World War and the Stalinist era. Journalists, historians, writers, artists, and filmmakers frequently negotiated themes related to pain and memory, truth and history, morality and spirituality during glasnost and the years lead...
Italian Opera Since 1945
First published in 1988. Italy, the birthplace of opera in the late sixteenth century, has in recent decades seen remarkable and vital musical growth, with composers as diverse as Luciano Berio and Nino Rota, Luigi Nono and Sylvano Bussotti, Giacomo Manzoni, Bruno Maderna and Salvatore Sciarrino. The musical theatre has figured prominently in the work of Italian composers during this period, ranging from operas conceived in a traditional mode to works of a Music Theatre variety, and in style from popular to avant-garde. In this book Raymond Fearn surveys this Italian musico-theatrical phenomenon in the period since the Second World War, examining a wide range of works such as Nono's Intolleranza and Al Gran Sole Carico d'Amore, Berio's Passaggio and Un re in ascolto, Manzoni's Atomtod and La Sentenza and Castiglioni's Oberon and The King's Masque, and places these developments within a cultural and theatrical context
Whole World of Music
It is impossible to contain Henry Cowell within the boundaries of the consistencies of forms, styles, ensembles, and genres of Western art music. John Cage once described Cowell as the open sesame for new music in America. Of the thousand or so works catalogued by William Lichtenwanger, the majority are formally innovative single movement vocal or instrumental pieces, although there are 20 symphonies, five string quartets, and 8 suites of various kinds. Cowell was also innovative in his use of instruments from different cultures (jalatarang, dragonmouths, Japanese wind glasses, the shakuhachi flute) and in this book, Lou Harrison writes of Cowell's adventurous promotion of automobile junkyards for the finding of new sounds. In addition, Cowell was a tireless advocate of new music in the West, and Musics from other cultures worldwide, as a teacher, lecturer, publisher, and performer. He founded New Music Quarterly in 1927, wrote the influential book Ne In this major book of articles
