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Sutphen is an enormously lucid and engaging writer who lived from 1861 to 1945. He wrote golf stories, and a 1906 post holocaust novel, "The Doomsman." This is one of his lesser known works.
The Gates of Chance Van Tassel Sutphen
In v.1-8 the final number consists of the Commencement annual.
In Mr. Stone's hand he carried a flat, square parcel which he proceeded to unwrap. I uttered an involuntary cry, for it was nothing less than a replica of the famous portrait of the "Red Duchess." A replica, indeed!-it would take an expert to decide which of the two was the copy; they were absolutely alike, even to the detail of the rough edges.
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In the first half of the twentieth century, modernist works appeared not only in obscure little magazines and books published by tiny exclusive presses but also in literary reprint magazines of the 1920s, tawdry pulp magazines of the 1930s, and lurid paperbacks of the 1940s. In his nuanced exploration of the publishing and marketing of modernist works, David M. Earle questions how and why modernist literature came to be viewed as the exclusive purview of a cultural elite given its availability in such popular forums. As he examines sensational and popular manifestations of modernism, as well as their reception by critics and readers, Earle provides a methodology for reconciling formerly separate or contradictory materialist, cultural, visual, and modernist approaches to avant-garde literature. Central to Earle's innovative approach is his consideration of the physical aspects of the books and magazines - covers, dust wrappers, illustrations, cost - which become texts in their own right. Richly illustrated and accessibly written, Earle's study shows that modernism emerged in a publishing ecosystem that was both richer and more complex than has been previously documented.
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