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'Indiscreet, brilliantly observed, frequently hilarious' Evening Standard 'Hang on - it's a wild ride' Meryl Streep It's 1983. A young Englishwoman arrives in Manhattan on a mission. Summoned in the hope that she can save Condé Nast's troubled new flagship Vanity Fair, Tina Brown is plunged into the maelstrom of competitive New York media. She survives the politics and the intrigue by a simple stratagem: succeeding. Here are the inside stories of the scoops and covers that sold millions: the Reagan kiss, the meltdown of Princess Diana's marriage to Prince Charles, the sensational Annie Leibovitz cover of a gloriously pregnant, naked Demi Moore. Written with dash and verve, the diary is also a sharply observed account of New York and London society. In its cinematic pages the drama, comedy and struggle of raising a family and running an 'it' magazine come to life.
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Vanity Fair 100 Years showcases a century of personality and power, art and commerce, crisis and culture—both highbrow and low—in this collection of images that graced the pages of magazine, and some published for the very first time. From its inception in 1913, through the Jazz Age and the Depression, to its reincarnation in the boom-boom Reagan years, to the image-saturated Information Age, Vanity Fair has presented the modern era as it has unfolded, using wit, imagination, peerless literary narrative, and bold, groundbreaking imagery from the greatest photographers, artists, and illustrators of the day. Edited by Vanity Fair editor Graydon Carter, this sumptuous book takes a decade-by...
Named one of the best books of 2017 by Time, People, The Guardian, Paste Magazine, & Vogue Tina Brown kept delicious daily diaries throughout her eight spectacular years as editor-in-chief of Vanity Fair. Today they provide an incendiary portrait of the flash and dash and power brokering of the Excessive Eighties in New York and Hollywood. The Vanity Fair Diaries is the story of an Englishwoman barely out of her twenties who arrives in New York City with a dream. Summoned from London in hopes that she can save Condé Nast's troubled new flagship Vanity Fair, Tina Brown is immediately plunged into the maelstrom of the competitive New York media world and the backstabbing rivalries at the cour...
Looking back at the last thirty-five years of Vanity Fair stories on women, by women, with an introduction by the magazine’s editor in chief, Radhika Jones Gail Sheehy on Hillary Clinton. Ingrid Sischy on Nicole Kidman. Jacqueline Woodson on Lena Waithe. Leslie Bennetts on Michelle Obama. And two Maureens (Orth and Dowd) on two Tinas (Turner and Fey). Vanity Fair’s Women on Women features a selection of the best profiles, essays, and columns on female subjects written by female contributors to the magazine over the past thirty-five years. From the viewpoint of the female gaze come penetrating profiles on everyone from Gloria Steinem to Princess Diana to Whoopi Goldberg to essays on workp...
This lavish collection of more than 500 black and white photographs - many never seen before - opens the door into the exclusive Oscar parties given over the past 75 years. From the first Academy Awards black-tie dinner-dance in 1929, through the 40s gatherings in Los Angeles' fashionable hotspots to the glittering Vanity Fairy gala in 2004 - this is an astounding photographic history of the ways in which Hollywood has celebrated its most glamorous night. Includes intimate and unposed photos of Cary Grant, Elizabeth Taylor, Nicole Kidman and Alfred Hitchcock.
Offers essays from Vanity Fair writers on specific authors, explaining their influence on other writers and the culture at large.
Bringing together 300 iconic portraits from "Vanity Fair's" 95-year history in a remarkable book that captures the image of modern fame, authors Carter and Friend showcase the magic that happens when individual talent and beauty--and sometimes genius--is caught in the spotlight of popular curiosity and passion. Abrams
The irreverent diaries of the author's celebrated years as editor-in-chief of Vanity Fair also serves as a vibrant portrait of the 1980s in New York and Hollywood, describing her summons from London in the hopes of saving Condé Nast's troubled periodical and her experiences within the cutthroat world of glamour magazines.
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