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The Companion
The Companion (1923) by Victor Margueritte is the second novel in the trilogy that begins with his 1922 controversial best-seller, The Bacheloress, and concludes with The Couple (1924). In contrast to the victimized Monique Lerbier, heroine of The Bacheloress, who appears in this novel in a supporting role, Annik Raimber is, a staunch proto-feminist with unwavering integrity, who never comprises her principles. When confronted with marriage and a family, professional success, and security, but at the price of, alternately, subordination and subjugation, Annik resists, maintaining her optimism that she is on the right path toward self-fulfillment. But does her brand of fulfillment exist in a world of entrenched ideology? The Companion is an exploration of both feminist self-direction and, more generally, the boundary between individuality and the pervading social norms. As its author, Margueritte, writes: "A logical consequence of my study of feminine mores, Le Compagnon claims, in fact, and loudly, the right to say everything, in accordance with the honest naturalist meth
The Queer German Cinema
On German homosexual cinema
The Couple
The Couple (1924) is the concluding volume in Victor Margueritte's trilogy, following The Bacheloress (1922) and The Companion (1923). It features both of the couples formed in the course of the earlier novels-Monique Lerbier and George Blanchet, and Annik Raimbert and Amedee Jacquemin, respectfully-but focuses primarily on their children and the broad social implications of an international socialist revolution attempting to overturn the depredations of capitalism. In The Couple, which is set in the near-future, Margueritte skillfully orchestrates a tangle of frustrated relationships in a way that allows the hope of security, freedom, and love to be transferred to outcomes of politics and war. The heightened sense of anxiety about the future, amid uprisings and political coups, picks up momentum toward a confused and conspiratorial rush to a war that is "nothing but a financial game, in which every proletarian cadaver consolidates the bourgeois strong-box!" But the central question remains: Where is the place for unique forms of love, the focus of this trilogy, in a world antagonistic to non-orthodox human solidarities?
The Beribboned Bomb
Surrealism was ostensibly directed at the emancipation of the human spirit, but it represented only male aspirations and fantasies until a number of women artists began to redefine its agenda in the later 1930s. This book addresses the former, using a 'thick description' of the historically specific circumstances which required the male Surrealists to manufacture a sexual reputation of narcissism and misogyny. These circumstances were determined by 'hegemonic masculinity', an ideological construct which had little to do with individual masculinities. In male Surrealism, the 'beribboned bomb' signified something both attractive and volatile, a specific instance of the Surrealist principle of convulsive beauty. In hegemonic masculinity, similar devices served as metaphors of the sexuality all men were supposed to possess. The intersection of these two axes produced an imagery of unrepentant violence.
The Life of Jean Jaures
A biography of the French Socialist leader.
The Modern Woman Revisited
Between the two world wars, Paris served as the setting for unparalleled freedom for expatriate as well as native-born French women, who enjoyed unprecedented access to education and opportunities to participate in public, artistic and intellectual life. Many of these women--including Colette, Tamara de Lempicka, Sonia Delaunay, Djuna Barnes, Augusta Savage, and Lee Miller--made lasting contributions to art and literature.
Civilization without Sexes
In the raucous decade following World War I, newly blurred boundaries between male and female created fears among the French that theirs was becoming a civilization without sexes. This new gender confusion became a central metaphor for the War's impact on French culture and led to a marked increase in public debate concerning female identity and woman's proper role. Mary Louise Roberts examines how in these debates French society came to grips with the catastrophic horrors of the Great War. In sources as diverse as parliamentary records, newspaper articles, novels, medical texts, writings on sexology, and vocational literature, Roberts discovers a central question: how to come to terms with ...
Facts and Fantasies
The question of women and their rights was a prominent and ongoing topic of debate in the popular press of Turkey in the 1920s. This work presents an insightful analysis of those debates and follows its traces in obscene literature of the period, as a marginal, but influential branch of popular literature. Popular literature of the time carefully scrutinizes urban Istanbul women in particular, from their biological responsibilities to their behavior in the public arena, down to their clothes and their relations with the opposite sex. It was believed that it was urban women above all who threatened the contemporary social order. Bearing in mind that the traditional faith-based, patriarchal Ot...
The Trial of Madame Caillaux
"What a pleasure it is to read a book by a gifted writer whose exhaustive research results in such thought-provoking insights."—Deirdre Bair, author of Simone de Beauvoir: A Biography
The Bookman
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