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American Druggist
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Glenn Curtiss
Glenn Curtiss (1878–1930) was a self-taught aeronautical engineer, a self-made industrialist, and one of the first airplane pilots, the model for “Tom Swift.” C. R. Roseberry’s biography begins with Curtiss’s years in Hammondsport, New York, his experiments with designing and learning to fly his own airplanes, and his many “firsts” in aviation history. Establishing one of the first aviation schools, Curtiss also developed a highly successful aviation company and designed one of the most popular early American planes—the Curtiss JN-4 (the “Jenny”). More than just a biography, this is also a well-documented history of the development of aviation and the key figures associated with it during the first three crucial decades of this century. Through an examination of Curtiss’s dealings with people such as Alexander Graham Bell, his original partner, and Wilbur and Orville Wright, his most important rivals, Roseberry provides insight into the overall development of flight in America. Aviation enthusiasts, historians, those interested in American technology and industry, and all who enjoy a good story will welcome this book.
Real / Ideal
In the years following the announcement of the invention of photography in 1839, practitioners in France gave shape to this intriguing new medium through experimental printing techniques and innovative compositions. The rich body of work they developed proved foundational to the establishment of early photography, from the introduction of the paper negative in the late 1840s to the proliferation of more standardized equipment and photomechanical technology in the 1860s. The essays in this elegant volume investigate the early history of the medium when the ambiguities inherent in the photograph were ardently debated. Focusing on the French photographers who worked with paper negatives, especially the key figures Édouard Baldus, Gustave Le Gray, Henri Le Secq, and Charles Nègre, Real/Ideal explores photography’s status as either fine art or industrial product (or both), its repertoire of subject matter, its ideological functions, and even the ever-experimental photographic process itself.
Communicating Physics
The textbooks written by Adolphe Ganot (1804-1887) played a major role in shaping the way physics was taught in the nineteenth century. Ganot's books were translated from their original French into more than ten languages, including English, allowing their adoption as standard works in Britain and spreading their influence as far as North America, Australia, India and Japan. Simon's Franco-British case study looks at the role of Ganot's two textbooks: Traite elementaire de physique experimentale et appliquee (1851) and Cours de physique purement experimentale (1859), and their translations into English by Edmund Atkinson. The study is novel for its international comparison of nineteenth-century physics, its acknowledgement of the role of book production on the impact of the titles, and for its emphasis on the role of communication in the making of science.
