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Creating the V&A
Creating the V&A tells the definitive story of the formative years of London's world renowned Victoria and Albert Museum and the gathering of its early collections in the decade between the Great Exhibition of 1851 and the death of Prince Albert in 1861. The story of the V&A's genesis is often centered on the first director and first curator (Henry Cole and J. C. Robinson), and their competing agendas for design reform and connoisseurship. And yet there is an untold story of how the young royal couple for whom it is named were highly instrumental in the establishment of the museum, as public supporters and large-scale lenders before a permanent collection was in place. The book is also full of fascinating and colorful stories of the strategies deployed to harvest treasures on the market as the young museum sought to fill its rapidly expanding buildings and compete with the British Museum and the Crystal Palace. For anyone interested in the history of collecting and curating, and for all fans of this legendary London museum, Creating the V&A explains how the foundational collections established parameters which still inform the museum's collecting policies, role, and identity today.
Winnie-the-Pooh
Winnie-the-Pooh is one of the best-loved and most successful children's characters of all time. Published to accompany a major exhibition at the Victoria and Albert Museum, London, this book explores the fascinating story behind the development of Winnie-the-Pooh and friends through the creative collaboration between author A. A. Milne and illustrator E. H. Shepard. Beautifully illustrated with original drawings from the first editions accompanied by extracts from the manuscripts and the published books, Winnie-the-Pooh: Exploring a Classic is a testament to the bear's enduring popularity.
A Grand Design
'A Grand Design' brings together over 250 of the Museum’s treasures to celebrate the institution's history. The unrivalled collections span centuries of art in virtually every medium - ceramics, metalwork, jewellery, furniture, sculpture, textiles and paintings. The examples have been selected to illustrate how the V&A museum has always sought to establish a canon for the decorative arts, through the continuous acquisition of objects of superior craftsmanship and artistic merit from all over the world.
Disobedient Objects
'Disobedient Objects' is about out-designing authority. It explores the material culture of radical change and protest - from objects familiar to many, such as banners or posters, to the more militant, cunning or technologically cutting-edge, including lock-ons, book-blocs and activist robots. Where previous social movement histories have focused on large-scale events, strategies or biographies, this book - and the exhibition it accompanies - shows how objects themselves can be revolutionary.
A Lady of Fashion
Here is a unique window into 18th-century English life, into a privileged world of fashion, country houses, and travel as it was experienced and recorded by Barbara Johnson. 122 illustrations, 93 in color.
Radical Fashion
First published to accompany an exhibition at the V&A, this book looks at the three main trends which are currently dominating international fashion: the arrival of the British superstar designers; the European conceptual, minimalist movement; and the influential Japanese designers.
Richard Batterham
Richard Batterham (1936-2021) was one of the most revered potters of his time, working for over 60 years from his pottery in Durweston, Dorset, UK. Over the decades, Batterham kept back some of his most successful pots - those that captured some special quality that he valued and wanted to refer to again - building up a personal archive spanning his career. As a collection, it documents a unique life of work and making. With specially commissioned photographs of representative pieces, personally selected by Batterham, and contributions from a group of writers with a deep understanding of his work and its broader significance, this book will be a legacy of the V&A's retrospective exhibition - and an important monograph of the renowned studio potter.
Shadow Catchers
The very first photographs of the nineteenth century were produced without the use of a camera. Today, having rediscovered camera-less techniques, a number of artists are using camera-less photography to create beautiful, startling images. Now available in an updated and fully revised edition, Shadow Catchers surveys the work of five leading practitioners – Pierre Cordier, Susan Derges, Adam Fuss, Garry Fabian Miller and Floris Neusüss – who, by casting shadows on light- sensitive paper or by chemically manipulating its surface, capture the presence of objects, figures or glowing light. The resulting pictures are consistently powerful, often with surreal effects and symbolic content. This is the first book to gather together the work of these key contemporary artists, revealing the technical processes and creative practices involved in their art. In an age of mass-produced imagery, Shadow Catchers offers a fascinating insight into a world of handcrafted photographs that are at once visually striking and intellectually stimulating.
A Grand Design
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