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Vincent Fecteau
This catalogue is published on the occasion of Vincent Fecteau's solo exhibition at the CCA Wattis Institute (September 5 - November 9, 2019).The publication includes: an essay by Wattis Director & Chief Curator Anthony Huberman; an essay by scholar Fanny Singer that gives an art historical context to Fecteau's work; an excerpt from a 1981 talk by sculptor Don Potts, which Fecteau has often cited as an example of how to articulate the art-making process; and an interview of Fecteau by curator Renny Pritikin. These texts accompany installation photographs of the critically acclaimed exhibition, along with original photos taken by the artist himself. Together the contents offer an unprecedente...
Vincent Fecteau
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Vincent Fecteau
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Enter at Your Own Risk
Dennis Cooper has been both praised and censured as the most controversial writer working today for his creation of a searing, outlaw textuality that charts psychosexual terrain uncensored by desire police. This volume is the first to explore Cooper's significance as a pioneering literary artist who illuminates the hidden or repressed extremities of the fin de millennium American zeitgeist. Leora Lev has assembled a roster of internationally acclaimed scholars, fiction writers, filmmakers, and artists who conjure a provocative encounter between Cooper's fiction, European transgressive literature and philosophy (e.g., Sade, Rimbaud, Bataille, Bresson), and American psychocultural topographies.
Tomma Abts
"With a rigorous approach and self-imposed limitations to both scale and composition, Tomma Abts (b. 1967) has reinvigorated painterly abstraction and its relevance within contemporary art. Using a fixed canvas size and a vertical format, Abts deploys basic formal elements such as arcs, circles, planes, and stripes to create powerful works that are at once subtle and eccentric. This extraordinary book, designed in collaboration with the artist herself, is a substantial and deeply insightful treatment of her career to date and features sixty works made over the past decade. Essays not only contextualize Abts's work within an art-historical framework of methods, process, and style, but also ex...
Rip Tales
In the California winter of 1965, Jay DeFeo was evicted from the San Francisco apartment that had become a temple for her 2000-pound colossus of a painting, The Rose. The morning after it was safely carried out the front window, DeFeo was forced to destroy the only other artwork she'd started in six years, an enormous painting on paper stapled directly to her hallway wall. The unfinished Estocada-a kind of shadow Rose-was ripped down in unruly chunks, carried to her new home, and reanimated years later through photography, photocopy, collage, and relief. Drawing from largely unpublished archival material, Rip Tales traces Estocada's life and multiple afterlives, offering insight into DeFeo's...
Ron Nagle
Ron Nagle: Getting to No' features twenty-five new sculptures, most of them no larger than six inches in any dimension. According to Nagle, sculpture at this scale ?can allude to a much bigger place, because it?s so small your imagination has to fill in all that space that?s not there.? Although he works in traditional mediums like ceramic and porcelain, he combines them with other materials, including epoxy resin and catalyzed polyurethane, to create forms that cannot be achieved in clay alone. 0Inspiration for Nagle?s work often comes from unusual sources, but his work is also grounded in tradition. He frequently cites the influence of shibui, an aesthetic of contrast and balance that is h...
