Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Mississippi Mud
NOW UPDATED WITH EXPLOSIVE COURTROOM DETAILS. . . . The riveting true-crime account of the heartbreaking murder that shook a Southern city to its corrupt foundation BILOXI, MISSISSIPPI: After the fatal shooting of one of the city’s most prominent couples—Vincent Sherry was a circuit court judge; his wife, Margaret, was running for mayor—their grief-stricken daughter came home to uncover the truth behind the crime that shocked a community and to follow leads that police seemed unable or unwilling to pursue. What Lynne Sposito soon discovered were bizarre connections to the Dixie Mafia, a predatory band of criminals who ran The Strip, Biloxi’s beachfront hub of sex, drugs, and sleaze. Armed with a savvy private eye—and a .357 Magnum—Lynne bravely entered a teeming underworld of merciless killers, ruthless con men, and venal politicians in order to bring her parents’ assassins to justice.
Modernism and the Reinvention of Decadence
This volume explores the idea of decadence through readings of major modernist writers such as Ezra Pound and T. S. Eliot.
The Great War and the Language of Modernism
With the expressions "Lost Generation" and "The Men of 1914," the major authors of modernism designated the overwhelming effect the First World War exerted on their era. Literary critics have long employed the same phrases in an attempt to place a radically experimental, specifically modernist writing in its formative, historical setting. What real basis did that Great War provide for the verbal inventiveness of modernist poetry and fiction? Does the literature we bring under this heading respond directly to that provocation, and, if so, what historical memories or revelations can be heard to stir in these words? Vincent Sherry reopens these long unanswered questions by focusing attention on...
Dream Room
Based on personal interviews with Mike and Frances Gillich, Chet Nicholson's dramatization of their lives and crimes provides a riveting tale that takes the reader inside the infamous Dixie Mafia. The book also brings to light their role in the murder of Judge Sherry and his wife.
Murdered Judges -xld
True tales of judges murdered in America in the 20th century, including those killed by strangers, family members, and unknown perpetrators. This book also includes a few who died in mysterious circumstances. Several murders remain unsolved. And the perpetrator remains at large in some. Anyone who ever worked at or near a courthouse will be intrigued by the happenings in this book and glad it didn't happen where they worked!
The Cambridge History of Modernism
This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.
The Cambridge Companion to the Literature of the First World War
The Great War of 1914–1918 marks a turning point in modern history and culture. This Companion offers critical overviews of the major literary genres and social contexts that define the study of the literatures produced by the First World War. The volume comprises original essays by distinguished scholars of international reputation, who examine the impact of the war on various national literatures, principally Great Britain, Germany, France and the United States, before addressing the way the war affected Modernism, the European avant-garde, film, women's writing, memoirs, and of course the war poets. It concludes by addressing the legacy of the war for twentieth-century literature. The Companion offers readers a chronology of key events and publication dates covering the years leading up to and including the war, and ends with a current bibliography of further reading organised by chapter topics.
James Joyce Ulysses
This book provides an introduction to Ulysses as well as a compelling critical narrative of its own. Through a detailed, sequenced reading of the text, it offers a historically informed understanding of Joyce, one that stresses his sensitivity to issues of personality and gender and his awareness of the political implications of his own verbal art. It also presents Ulysses as a milestone and turning point in the history of the novel, relating Joyce to the larger enterprise of modernism and offering a provocative account of the Joycean legacy in modern fiction.
Regarding the Popular
Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.
Modernism
In this wide-ranging and original account of Modernism, Michael Levenson draws on more than twenty years of research and a career-long fascination with the movement, its participants, and the period during which it thrived. Seeking a more subtle understanding of the relations between the period's texts and contexts, he provides not only an excellent survey but also a significant reassessment of Modernism itself. Spanning many decades, illuminating individual achievements and locating them within the intersecting histories of experiment (Symbolism to Surrealism, Naturalism to Expressionism, Futurism to Dadaism), the book places the transformations of culture alongside the agitations of modernity (war, revolution, feminism, psychoanalysis). In this perspective, Modernism must be understood more broadly than simply in terms of its provocative works, experimental forms, and singular careers. Rather, as Levenson demonstrates, Modernism should be viewed as the emergence of an adversary culture of the New that depended on audiences as well as artists, enemies as well as supporters. -- Book Description.
