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Documents governmental and political corruption in the Deep South through the story of a daughter who seeks justice when her parents are slain in Mississippi.
With the expressions "Lost Generation" and "The Men of 1914," the major authors of modernism designated the overwhelming effect the First World War exerted on their era. Literary critics have long employed the same phrases in an attempt to place a radically experimental, specifically modernist writing in its formative, historical setting. What real basis did that Great War provide for the verbal inventiveness of modernist poetry and fiction? Does the literature we bring under this heading respond directly to that provocation, and, if so, what historical memories or revelations can be heard to stir in these words? Vincent Sherry reopens these long unanswered questions by focusing attention on...
Based on personal interviews with Mike and Frances Gillich, Chet Nicholson's dramatization of their lives and crimes provides a riveting tale that takes the reader inside the infamous Dixie Mafia. The book also brings to light their role in the murder of Judge Sherry and his wife.
The Great War of 1914–1918 marks a turning point in modern history and culture. This Companion offers critical overviews of the major literary genres and social contexts that define the study of the literatures produced by the First World War. The volume comprises original essays by distinguished scholars of international reputation, who examine the impact of the war on various national literatures, principally Great Britain, Germany, France and the United States, before addressing the way the war affected Modernism, the European avant-garde, film, women's writing, memoirs, and of course the war poets. It concludes by addressing the legacy of the war for twentieth-century literature. The Companion offers readers a chronology of key events and publication dates covering the years leading up to and including the war, and ends with a current bibliography of further reading organised by chapter topics.
This volume explores the idea of decadence through readings of major modernist writers such as Ezra Pound and T. S. Eliot.
This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.
True tales of judges murdered in America in the 20th century, including those killed by strangers, family members, and unknown perpetrators. This book also includes a few who died in mysterious circumstances. Several murders remain unsolved. And the perpetrator remains at large in some. Anyone who ever worked at or near a courthouse will be intrigued by the happenings in this book and glad it didn't happen where they worked!
This book provides an introduction to Ulysses as well as a compelling critical narrative of its own. Through a detailed, sequenced reading of the text, it offers a historically informed understanding of Joyce, one that stresses his sensitivity to issues of personality and gender and his awareness of the political implications of his own verbal art. It also presents Ulysses as a milestone and turning point in the history of the novel, relating Joyce to the larger enterprise of modernism and offering a provocative account of the Joycean legacy in modern fiction.
Examines Hill's verse within the context of British and American reaction to the great literary modernists of the early 20th century
ISBN 9042000953 (paperback) NLG 40.00 encyclopaedias (Peter Burke).