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Neapolitan Postcards gathers a diverse group of international scholars to investigate unexplored transnational aspects of the intimate yet globally popular canzone napoletana. Performed and beloved worldwide in almost every language, the style had hits such as “Funiculì funiculà” (1880) and “’O sole mio” (1898) which sold millions of copies. These hits fueled the tradition’s spread across the world over the course of the twentieth century with the eventual popularity of covers by singers and musicians of all music genres and styles, from popular music to opera and jazz. This book is the first scholarly work that considers the specific complexities of the international Neapolitan Song scenes through case studies from Argentina, England, Greece, and the United States, employing analyses of compositions, iconographical sources, international films, mechanical musical instruments, performances, and recordings devoted to the canzone napoletana.
Transgressive both in its narrative and in its filmmaking, Trouble Every Day (2001) envisions the monster inside, unspeakable urges and an overwhelming need for complete incorporation. A plant discovered in the South American jungle produces in its test subjects a terrible, unnatural and uncontrollable hunger. Vicious, all-consuming desire begets excessive violence and a turn to cannibalism, which situates Trouble Every Day into a tradition of challenging cinema, a film maudit that pushes the boundaries of what can be shown on screen. But while it is certainly an unflinching film, it is deserving of reassessment as part of Clare Denis’ filmography as well as a broader cinematic lineage. Fo...
This volume of the "Documentary History of the Jews in Italy" is the ninth of the second series, illustrating the history of the Jews in Sicily based on notarial and court records. It is the sequel to the eight volumes of the first series. Notarial deeds drawn up by public notaries in Palermo and elsewhere and cases brought before the Pretorian Court in Palermo present a kaleidoscopic picture of the private lives of the Jews of Sicily during the last three centuries of their presence on the island. They illustrate the economic, social and religious history of the Jewish minority and the relations with the Christian majority. Much information is provided on trade and commerce, crafts and prof...
At the height of the Enlightenment, four conservatories in Naples stood at the center of European composition. Maestros taught their students to compose with unprecedented swiftness and elegance using the partimento. In The Art of Partimento, performer and historian Giorgio Sanguinetti provides students and scholars of composition and music theory an historical chronicle as well as a practical guide, offering them the opportunity not only to understand the life of this fascinating tradition, but to participate in it as well.
Cameron Simmons has always been haunted. It begins as a child, when Cam’s father bestows upon him an insult that will take a lifetime to outlive, blaming his slow development on a fictitious tortoise in his hair. From there, Cam’s hauntings multiply: The constant threat of the Vietnam War draft. Failed relationships—and chemical dependencies—that stack up like empty pill bottles. Unfulfilling career moves. And the nagging feeling that his life is just destined to mean . . . something, anything at all. Something—a powerful word. But these things form a pattern Cam can’t see—yet. It’s not until the earth-shattering discovery of his greatest haunting of all—the true identity of his guardian angel—that he can understand the purpose behind each heartache on his unwitting journey to spirit. Capturing each moment of anguish or hilarity with painstaking detail, Calvin Barry Schwartz’s There’s a Tortoise in My Hair is more than a life story; it’s a legacy of love—for the world, for humanity, and for the pains of life that shape our ability to love in the first place.
Integrating musical and poetic analysis, this book sheds new light on the experience of listening to Monteverdi's path-breaking madrigals. The music of this pivotal figure reveals how composers and performers at the turn of the seventeenth century not only responded to but themselves influenced experiments in language.
Although he is often identified as a Monteverdi scholar (Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies, published in the Variorum series in 2013), the majority of Jeffrey Kurtzman’s work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, part one begins with a chapter on the Monteverdi Mass and Vespers of 1610 which spotlights the other major work in Monteverdi’s first prominent sacred print, the Missa in illo tempore, followed by examples of Kurtzman’s work on the sacred music of other composers such as Giovanni Francesco Capello and Palestrina. The section concludes with a piece on polyp...