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Neapolitan Postcards
Neapolitan Postcards gathers a diverse group of international scholars to investigate unexplored transnational aspects of the intimate yet globally popular canzone napoletana. Performed and beloved worldwide in almost every language, the style had hits such as “Funiculì funiculà” (1880) and “’O sole mio” (1898) which sold millions of copies. These hits fueled the tradition’s spread across the world over the course of the twentieth century with the eventual popularity of covers by singers and musicians of all music genres and styles, from popular music to opera and jazz. This book is the first scholarly work that considers the specific complexities of the international Neapolitan Song scenes through case studies from Argentina, England, Greece, and the United States, employing analyses of compositions, iconographical sources, international films, mechanical musical instruments, performances, and recordings devoted to the canzone napoletana.
The Jews in Sicily
This volume of the "Documentary History of the Jews in Italy" is the ninth of the second series, illustrating the history of the Jews in Sicily based on notarial and court records. It is the sequel to the eight volumes of the first series. Notarial deeds drawn up by public notaries in Palermo and elsewhere and cases brought before the Pretorian Court in Palermo present a kaleidoscopic picture of the private lives of the Jews of Sicily during the last three centuries of their presence on the island. They illustrate the economic, social and religious history of the Jewish minority and the relations with the Christian majority. Much information is provided on trade and commerce, crafts and prof...
The Golden Age: The Sequel
After celebrating his 50th birthday with friends from around the world in 1950, Giancarlo and his wife were living their dream of early retirement. They split their time between their spring home in Lucca, Italy, and their summer retreat by the sea in Siracusa. Life seemed perfect, until a sudden tragedy struck-- the death of the caretaker for their olive oil business. The loss disrupted their luxurious lifestyle, pulling Giancarlo out of retirement to take over marketing for his family's 200-year-old business. What started as a simple task turned into a decade-long journey that would reshape his life, as he worked to expand the olive oil business in both Italy and the U.S. Set against the b...
The Art of Partimento
At the height of the Enlightenment, four conservatories in Naples stood at the center of European composition. Maestros taught their students to compose with unprecedented swiftness and elegance using the partimento. In The Art of Partimento, performer and historian Giorgio Sanguinetti provides students and scholars of composition and music theory an historical chronicle as well as a practical guide, offering them the opportunity not only to understand the life of this fascinating tradition, but to participate in it as well.
Trouble Every Day
Transgressive both in its narrative and in its filmmaking, Trouble Every Day (2001) envisions the monster inside, unspeakable urges and an overwhelming need for complete incorporation. A plant discovered in the South American jungle produces in its test subjects a terrible, unnatural and uncontrollable hunger. Vicious, all-consuming desire begets excessive violence and a turn to cannibalism, which situates Trouble Every Day into a tradition of challenging cinema, a film maudit that pushes the boundaries of what can be shown on screen. But while it is certainly an unflinching film, it is deserving of reassessment as part of Clare Denis’ filmography as well as a broader cinematic lineage. Fo...
There's a Tortoise in My Hair: A Journey to Spirit, A Novel
Cameron Simmons has always been haunted. It begins as a child, when Cam’s father bestows upon him an insult that will take a lifetime to outlive, blaming his slow development on a fictitious tortoise in his hair. From there, Cam’s hauntings multiply: The constant threat of the Vietnam War draft. Failed relationships—and chemical dependencies—that stack up like empty pill bottles. Unfulfilling career moves. And the nagging feeling that his life is just destined to mean . . . something, anything at all. Something—a powerful word. But these things form a pattern Cam can’t see—yet. It’s not until the earth-shattering discovery of his greatest haunting of all—the true identity of his guardian angel—that he can understand the purpose behind each heartache on his unwitting journey to spirit. Capturing each moment of anguish or hilarity with painstaking detail, Calvin Barry Schwartz’s There’s a Tortoise in My Hair is more than a life story; it’s a legacy of love—for the world, for humanity, and for the pains of life that shape our ability to love in the first place.
Encyclopedia of Contemporary Italian Culture
This rigorously compiled A-Z volume offers rich, readable coverage of the diverse forms of post-1945 Italian culture. With over 900 entries by international contributors, this volume is genuinely interdisciplinary in character, treating traditional political, economic, and legal concerns, with a particular emphasis on neglected areas of popular culture. Entries range from short definitions, histories or biographies to longer overviews covering themes, movements, institutions and personalities, from advertising to fascism, and Pirelli to Zeffirelli. The Encyclopedia aims to inform and inspire both teachers and students in the following fields: *Italian language and literature *Arts, Humanities and Social Sciences *European Studies *Media and Cultural Studies *Business and Management *Art and Design It is extensively cross-referenced, has a thematic contents list and suggestions for further reading.
Monteverdi and the Marvellous
The marvellous, a key concept in literary debates at the turn of the seventeenth century, involved sensory and perspectival transformation, a rhetoric built on the unexpected, contradictory, and thought-provoking. The composer Claudio Monteverdi (1567–1643) created a new practice in which the expressive materials of music and poetry were placed in concert. This innovative new study of Monteverdi's literary personality integrates musical and poetic analysis to create an approach to text-music relations that addresses scholars of both literature and music. It illuminates how experiments in language and perception at the turn of the seventeenth century were influenced and informed by the work of musicians of that era. Giles provides a new perspective on the music and poetry of Monteverdi's madrigals through the poetics of the marvellous. In his madrigals, Monteverdi created a reciprocity between poetry and music which encouraged audiences to contemplate their interactions, and, consequently, to listen differently.
