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A Companion to Nineteenth-Century Art
A comprehensive review of art in the first truly modern century A Companion to Nineteenth-Century Art contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century. In addition to highlighting particular national identities of artists, A Companion to Nine...
Historical Dictionary of the Catalans
In this reference, Buffery and Marcer cover all of the areas historically inhabited by the Catalan people. These are, in order of size and population: Catalonia, which accounts for over half of the population of the Catalan-speaking areas; Valencia, with over a third; the Balearic Islands with just under 8 percent; and the Catalunya Nord, the Principality of Andorra, and the Catalan-speaking areas within Aragon, Murcia, and Alghero. The Historical Dictionary of the Catalans deals not only with the people who live in Catalonia, but with the language and culture of the Catalan countries as well. This is done through a chronology, an introductory essay, a bibliography, and over 600 cross-referenced dictionary entries on significant persons, places, events, institutions, and aspects of culture, society, economy, and politics.
Symbolism, Its Origins and Its Consequences
The notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article that appeared on April 24, 1887, in L’Art moderne. He wrote that the notion of a symbol in the Symbolist movement is the opposite of the notion of the symbol in classical usage: instead of going from the abstract to the concrete (Venus, incarnated in the statue, represents love), it goes from the concrete to the abstract, from “what is seen, heard, felt, tasted, and sensed to the evocation of...
A punta d'espasa
Els breus comentaris o glosses que constitueixen aquest llibre participen tant de l’assaig com del periodisme d’opinió personal i pensat per a un lector no estrictament especialitzat. Aquesta nova sèrie de glosses, escrites al reclam de les suggestions més diverses al llarg dels últims trenta anys, aborden temàticament autors i textos en llengua catalana que van des de l’Edat Mitjana fins als nostres dies.
Innovation Through Co-operation
LIBER, the principal association of research libraries in Europe, was founded in 1971, under the auspices of the Council of Europe. The driving force behind the new association was a small dedicated group of European librarians, led by Jean-Pierre Clavel, Director of the Bibliothèque Cantonale et Universitaire, Lausanne. Their goal was to give European research libraries, national and university, a distinctive and compelling voice in the international library community. The chosen name LIBER (Ligue des Bibliothèques Européennes de Recherche) was redolent of both books and freedom. This history, covering the years from 1971 to 2009, documents a unique period in European history. The contin...
Mistral in Catalonia
This publication, coordinated by Dr. Antoni Rossell and Dr. Hélène Rufat, presents the figure of Frédéric Mistral, Nobel laureate in Literature (1904), leader in the rehabilitation of the Occitan language and beating heart of relations with the Catalan intellectual world. His rôle was fundamental for the cultural milieu of Catalonia, a fact reflected in the wide range of written testimonials preserved in Catalan institutions. This book provides a taste of the rich documentation available in the Biblioteca de Catalunya in Barcelona and the Biblioteca Museu Víctor Balaguer in Vilanova i la Geltrú. The book contains interviews with specialists in the field who provide a multifaceted visi...
Staging and the Arts in Nineteenth-Century France
This book discusses the mechanisms and patterns of staging in nineteenth-century France. Often associated with theatre and performance, staging also applies to visual arts. It is thoroughly embedded in a more general cultural development comprising the dissemination of knowledge, political awareness and consumerism. The notion of staging applies to a process of appearing, revealing and disappearing that puts forward new ways for the individual to be seen and to make the self (and the other) visible. Staging determines and questions the process of appearing and disappearing by generating connections and interactions between multiple layers of reality (i.e., artistic, theatrical, literary, and visual) – but according to what criteria, through what mechanisms and with what materials? What are the repercussions of staging, and, even more important, what does staging not show? This book argues that the notion of staging goes beyond interdisciplinarity. Looking at the different ways staging was used and conceived introduces new approaches to understanding visual culture in nineteenth-century France.
Catalan Nationalism
Catalan Nationalism offers a fresh socio-political analysis of Catalan nationalism during the Franco regime (1939-1975) and the Spanish transition to democracy.
