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(Un)Making the Monarchy
‘(Un)Making the Monarchy’ offers a kaleidoscopic view on the British monarchy – an institution that today seems integral, almost inevitable, to the British political system and the very texture of Britishness/Englishness. The contributions in this volume seek to historicise, contextualise, and politicise such dominant myths of the monarchy. They look at the strategies through which monarchical power has been legitimised and naturalised in the texts and practices of (not only) British culture and at the way in which the monarchy has, in turn, been used to legitimise and naturalise other hegemonic structures in society. They also engage with the forms and practices that have sought to contest and subvert monarchical power. Contributors thus tackle the psychological, performative, and political dimensions of monarchical reign, examine supportive as well as critical, satirical, and anti-monarchist representations in literature, theatre, the media, and deal with some of the monarchy’s self-representations through public relations, fashion, and language.
Trio, Op. 112
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Fashion and Materiality
Fashion is intimately tied to the material world. With a focus on diverse cultural practices, this book offers new insights into the dynamic relationships between fashion, bodies, and material culture. In a series of original case studies, both historical and contemporary, the collection explores how fashion and clothing affect articulations of body and self, experiences of time and place, and the shaping of social and local/global relationships. With chapters from leading international scholars, Fashion and Materiality takes the reader from the study of clothing and biography, and an early modern “foreign dress” collection, to Chinoiserie clothing in 18th-century Europe and fast fashion production in today's China. The book also examines fashion's role in nation building, and entanglements between fashion and migration across clothing donations for Syrian refugees in Germany and the circulation of “refugee chic” on international fashion runways. Scrutinizing the dense connections between fashion, clothing, materiality, and humanity, the book shows how the material interacts forcefully with the personal and political.
First Studies, Opus 86
A solo, for Viola, composed by Richard Hofmann.
The First Studies for Viola
Direct reprint of the original C.F. Peters, plate 7850 issued around 1900. This has been beautifully redone, and still remains to this day an extremely useful method book for viola. Clean interior, pages have been redone to allow for exercises to be performed without page turns. Additional pages added to allow teacher notes, and blank staff paper to provide room for variations of bowing for example to be rendered. 25pps, 8.5"x11", glossy cover. A must have for any violist to have in their library. Printed in German and English.
The Cambridge Global History of Fashion: Volume 1
Explores how the long history of fashion from antiquity to c. 1800 created global networks and animated world communities.
Social Justice Pedagogies
Social Justice Pedagogies provides a diverse and wide perspective into making education more robust and useful in light of global injustices and new challenges posed by new media and communication practices, media manipulation, right-wing populism, climate crisis, and intersectional discriminations. Meant to inspire readers to see learning and teaching from a wider perspective of justice, inclusion, equity, and creativity, it argues that relational and mindful approaches to teaching and learning in specific contexts, settings, and place-based experiences are essential in how we determine the value of education. The book draws on contributions from scholars and experts who incorporate social ...
Dress Cultures in Zambia
Drawing on half-a-century of research in Zambia and regional scholarship, Karen Tranberg Hansen offers a vibrant history of changing dress practices from the late-colonial period to the present day. Exploring how the dressed body serves as the point of contact between personal, local, and global experiences, she argues that dress is just as central to political power as it is to personal style. Questioning the idea that the West led fashion trends elsewhere, Hansen demonstrates how local dress conventions appropriated western dress influences as Zambian and shows how Zambia contributed to global fashions, such as the colourful Chitenge fabric that spread across colonial trading networks. Brought to life with colour illustrations and personal anecdotes, this book spotlights dress not only as an important medium through which Zambian identities are negotiated, but also as a key reflector and driver of history.
