Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
David Alexander
In Canada, it can be easy to consider landscape painting as cliché, an art form whose time has passed. David Alexander's vibrant, large-scale works show the wonder and possibility that remain undiminished in paintings of the natural environment and breathe new life into the landscape tradition. Gathering together six essays on Alexander, this book provides insight into Alexander's inspiration, creative drive, and the unique engagement with nature that has led him to seek out and paint remote locales across Canada and as far away as Greenland, Iceland, New Mexico, and Argentina. Award-winning writer Sharon Butala contributes an extended meditation on her first encounter with the artist and h...
Picturing Savannah
This catalogue for the Telfair Museum of Art’s exhibition Picturing Savannah: The Art of Christopher A. D. Murphy provides valuable information on Murphy’s life and career, documenting four decades of his finest work in all media: oils, watercolors, etchings, and pencil and charcoal drawings. Born in 1902, Murphy was one of Savannah’s most accomplished and beloved artists. After studying in New York City at the Art Students League, he returned to his native Savannah. He taught privately at the Telfair Academy of Arts and Sciences and at Armstrong College (now Armstrong Atlantic State University). In 1929, he helped found the Association of Georgia Artists and in 1947 he collaborated wi...
St. Ives Artists
The achievement of Christopher Wood has often been overshadowed by the legend that grew up around his life after his dramatic suicide at the age of 29. Increasingly, however, critics have come to see his work, particularly the output of the last two years of his life, as having a pivotal role in the development of modernism in Britain. The integrity of Wood's endeavour, the combination of self-confidence and uncertainty, accomplishment and awkwardness gives his paintings a very human quality that continues to be recognised and admired by audiences and painters today.
