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Zeke had few friends and when he finds out his best friend is a vampire he was shocked but accepting. When trouble comes crashing into his world Zeke wakes in a dark alley near death and in need of help. He goes to Kalil’s Coven and collapses into the arms of Vitali...his mate. Can the two work together to figure out who’s trying to kill Zeke before it’s too?
The theory of motives began in the early 1960s when Grothendieck envisioned the existence of a "universal cohomology theory of algebraic varieties". The theory of noncommutative motives is more recent. It began in the 1980s when the Moscow school (Beilinson, Bondal, Kapranov, Manin, and others) began the study of algebraic varieties via their derived categories of coherent sheaves, and continued in the 2000s when Kontsevich conjectured the existence of a "universal invariant of noncommutative algebraic varieties". This book, prefaced by Yuri I. Manin, gives a rigorous overview of some of the main advances in the theory of noncommutative motives. It is divided into three main parts. The first...
Collection of articles from Moscow's Journalist of the Year, who has been writing since 1990 for the TAge', where these pieces were first published. Vitaliev brings a Russian perspective to experiences as diverse as Saturday night at St Kilda police station to crossing the Nullabor.
The Art Dealer’s Apprentice tells the story of how the author moved to New York in 1989 as a young Midwesterner, found a job at an Upper East Side gallery, and became the protégé of Carla Panicali, an Italian countess and major international art world figure. From Carla – an extraordinary woman whom he deeply admired – the author learned to navigate the treacherous waters of authenticity, power and money in the art business and his own life. As gallery director, he gradually piloted the gallery through a sea of fakes, frauds, and unscrupulous colleagues, competitors, collectors and experts, until the art market crashed, and in the ensuing crisis, in the increasingly money-driven art ...
In the first century BC, Vitruvius developed his ideas on proportion in architecture, considering the importance of strength, utility and beauty. This led him to contemplate proportion in the human body and devise the famous image of Vitruvian Man. In Fantastic Feedback about Architecture, Anna Vitali draws on these ideas and many of her own to create a series of stream-of-consciousness reflections on music, architecture, art and culture. AUTHOR BIO: During her early twenties, while reflecting on economics at the state university, Anna Vitali discovered herself to be a glamorous artist. Because of her desire for a simple 'hello', she would never say 'encantada' for any amount of bucks. She has since carried out a detailed study of the states during cultural revolutions. Afterwards, she has made a definite choice of studying contemporary English-American literature, for its innovative aesthetic.