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Humanistica Lovaniensia
  • Language: en
  • Pages: 524

Humanistica Lovaniensia

Volume 52

Encyclopedia of Italian Literary Studies: A-J
  • Language: en
  • Pages: 2258

Encyclopedia of Italian Literary Studies: A-J

Publisher description

Clothes Make the Man
  • Language: en
  • Pages: 205

Clothes Make the Man

  • Type: Book
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  • Published: 2012-11-12
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  • Publisher: Routledge

In this book, the author explores medieval society's fascination with the cross-dressed woman. The author examines a wide variety of religious, literary, and historical sources, which record interpretations of sartorial attempts to overcome gender hierarchy and also illustrate, mainly through the device of inversion, a remarkably sustained desire to examine and reexamine the nature of social gender identities.

The Medieval Medea
  • Language: en
  • Pages: 296

The Medieval Medea

Wide-ranging study of the myth of Medea, concentrating on but not exclusively confined to its medieval incarnation.

The Decameron and the Canterbury Tales
  • Language: en
  • Pages: 360

The Decameron and the Canterbury Tales

That resistance, informed by a model of literary influence grounded on the idea of interruption, would keep the Canterbury Tales away from the Decameron, though not the rest of Chaucer from other works by Boccaccio. In the end, of course, that resistance tells us more about Chaucer's reception since the fifteenth century than about Chaucer himself or his sources."--BOOK JACKET.

Representing the Dead
  • Language: en
  • Pages: 356

Representing the Dead

An examination of how the dead were memorialised in late medieval French literature.

New Perspectives on Middle English Texts
  • Language: en
  • Pages: 218

New Perspectives on Middle English Texts

This collection of essays, by experts in the field, on major late Middle English texts, concentrates on the alliterative tradition, particularly Sir Gawain and the Green Knight. In addition, there are papers on Chaucer and Henryson.

VLSI 2010 Annual Symposium
  • Language: en
  • Pages: 341

VLSI 2010 Annual Symposium

VLSI 2010 Annual Symposium will present extended versions of the best papers presented in ISVLSI 2010 conference. The areas covered by the papers will include among others: Emerging Trends in VLSI, Nanoelectronics, Molecular, Biological and Quantum Computing. MEMS, VLSI Circuits and Systems, Field-programmable and Reconfigurable Systems, System Level Design, System-on-a-Chip Design, Application-Specific Low Power, VLSI System Design, System Issues in Complexity, Low Power, Heat Dissipation, Power Awareness in VLSI Design, Test and Verification, Mixed-Signal Design and Analysis, Electrical/Packaging Co-Design, Physical Design, Intellectual property creating and sharing.

New Worlds and the Italian Renaissance
  • Language: en
  • Pages: 351

New Worlds and the Italian Renaissance

  • Type: Book
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  • Published: 2012-08-17
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  • Publisher: BRILL

This volume aims to assess the longstanding debate over the role played by the Italian Renaissance in the history of European intellectual culture. The authors engage in an interpretative conversation with thinkers such as Jacob Burckardt, Ernst Cassirer, Eugenio Garin, Paul Oskar Kristeller, whose works have influenced critical discourse on modernity and Renaissance Humanism over the last one hundred and fifty years. The studies presented in this collection contribute to this discussion from a variety of perspectives: scientific, theological, political, and literary. The result is a multifaceted illumination of the intellectual history of the Italian Renaissance.

Tragedy and Comedy from Dante to Pseudo-Dante
  • Language: en
  • Pages: 146

Tragedy and Comedy from Dante to Pseudo-Dante

In this study, Professor Kelly analyzes Dante's understanding of the meanings of tragedy and comedy in his undisputed works, especially the 'De vulgari eloquentia' and the 'Comedia'. He finds that Dante's criteria concerned subject-matter and style, not emotions like happiness and sorrow, or plot movement from one mood to another, or humor or the lack of it. He considered Vergil's 'Aeneid' and his own lyric poems to be tragedies because of their sublime subjects and their use of elevated style and vocabulary. He considered the 'Inferno', along with the 'Purgatorio' and the 'Paradiso', to be a comedy because of the range of subjects and styles. Dante's commentators, in contrast, tended to hav...