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Master the French language with SCÉNARIOS! This all-in-one grammar, reading, writing, and multimedia program helps you improve your vocabulary, writing style, and cultural understanding of the French language. The book-specific website makes studying easy by providing integrated cultural activities, biographical information, links, directions for activities, and composition evaluation forms that can be downloaded and printed.
Alexandre Dumas, author of The Three Musketeers, The Count of Monte Cristo, and The Man in the Iron Mask, is the most famous French writer of the nineteenth century. In 2002, his remains were transferred to the Panthéon, a mausoleum reserved for the greatest French citizens, amidst much national hype during his bicentennial. Contemporary France, struggling with the legacies of colonialism and growing diversity, has transformed Dumas, grandson of a slave from St. Domingue (now Haiti), into a symbol of the colonies and the larger francophone world in an attempt to integrate its immigrants and migrants from its former Caribbean, African, and Asian colonies to improve race relations and to prom...
World Weavers is the first ever study on the relationship between globalization and science fiction. Scientific innovations provide citizens of different nations with a unique common ground and the means to establish new connections with distant lands. This study attempts to investigate how our world has grown more and more interconnected not only due to technological advances, but also to a shared interest in those advances and to what they might lead to in the future. Science fiction has long been both literally and metaphorically linked to the emerging global village. It now takes on the task of exploring how the cybernetic revolution might transform the world and keep it one step ahead of the real world, despite ever-accelerating developments. As residents of a world that is undeniably globalized, science-fictional and virtual, it is incumbent on us to fully understand just how we came to live in such a world, and to envisage where this world may be heading next. World Weavers represents one small but significant step toward achieving such knowledge.
A literary history of the Haitian Revolution that explores how scientific ideas about ‘race’ affected 19th-century understandings of the Haitian Revolution and, conversely, how understandings of the Haitian Revolution affected 19th-century scientific ideas about race.
Science fiction has always challenged readers with depictions of the future. Can the genre actually provide glimpses of the world of tomorrow? This collection of fifteen international and interdisciplinary essays examines the genre's predictions and breaks new ground by considering the prophetic functions of science fiction films as well as SF literature. Among the texts and topics examined are classic stories by Murray Leinster, C. L. Moore, and Cordwainer Smith; 2001: A Space Odyssey and its sequels, Japanese anime and Hong Kong cinema; and electronic fiction.
In this practical, accessible guide for students, faculty, and other university personnel, author Cynthia E. Carr shares her best practices for planning, writing, and winning research grants based on her own experience submitting more than 300 grant proposals and securing millions of dollars in awards. Insightful, innovative, and informative, the book goes beyond coverage of standard grant writing to specifically address the issues faced by the higher education community, including the university bureaucracy and how to navigate it. The Nuts and Bolts of Grant Writing covers everything from budgets to submissions and federal to foundation competitions, giving novices the opportunity to leapfrog over some of the hard lessons that most college and university grant seekers must learn from trial and error and allowing those with more experience to sharpen their skills.
Through a close reading of seven literary memoirs of the Nazi Occupation of France, Refiguring Les Années Noires: Literary Representations of the Nazi Occupation shows how the memory of the period has been shaped by political and social factors. An interdisciplinary study incorporating trauma theory, history, and folklore studies, this book examines representations of the Occupation by a diverse group of writers ranging from a female Resistance fighter to one of the first French Roma novelists. The methodological diversity of the volume brings to the fore each author’s unique perspective and demonstrates that their works are at once historically and artistically significant. Above all, this book gives voice to groups whose experiences in occupied France have largely been forgotten.
An American in Paris (1951) was a landmark film in the careers of Vincente Minnelli, Gene Kelly and Leslie Caron. A joyous celebration of George Gershwin's music, French art, the beauty of dance and the fabled City of Light, the film was heralded as a rare example of entertainment 'for mass and class alike'. Choreographed by Kelly at the height of his career, it gave new stature to the Hollywood musical, and showcased as never before the artistic ambition, technical skills, creative imagination and collaborative ethos of MGM's pioneering Arthur Freed Unit. Sue Harris draws on archival material to trace the film's development from conception to screen. Offering new insights into the design process in particular, she shows how An American in Paris established the cinematic template for a city with which Hollywood would become increasingly infatuated in the decades to follow.
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The earliest known literary productions by women living in Europe were probably written by French writers. As early as the 12th century, women troubadours in the south of France were writing poems. French women continued writing through the ages, their number increasing as education became more available to women of all classes. And yet, of the great number of works by women writers who preceded the current feminist movement, very few have survived. A few writers such as Marie de France, George Sand, and Simone de Beauvoir became part of the canon. But critics, mostly male, had judged the works of only a few women writers worthy of recognition. As part of the feminist move to reclaim women w...