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Narrative Folksong, New Directions
  • Language: en
  • Pages: 510

Narrative Folksong, New Directions

  • Type: Book
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  • Published: 1985
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  • Publisher: Unknown

None

Studies in Folklore [in Honor Of... Stith Thompson.] Edited by W. Edson Richmond
  • Language: en
  • Pages: 270

Studies in Folklore [in Honor Of... Stith Thompson.] Edited by W. Edson Richmond

  • Type: Book
  • -
  • Published: 1957
  • -
  • Publisher: Unknown

None

Folklore and Folklife
  • Language: en
  • Pages: 574

Folklore and Folklife

Describes the characteristics of folk cultures and discusses the procedures used by social scientists to study folklife.

Leah Jackson Wolford's The Play-party in Indiana
  • Language: en

Leah Jackson Wolford's The Play-party in Indiana

  • Type: Book
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  • Published: 1959
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  • Publisher: Unknown

None

The types of the Scandinavian medieval ballad
  • Language: en
  • Pages: 329

The types of the Scandinavian medieval ballad

  • Type: Book
  • -
  • Published: 1978
  • -
  • Publisher: Unknown

None

Ballad Scholarship
  • Language: en
  • Pages: 400

Ballad Scholarship

None

Journal of American Folklore, V59, No. 233, July-September, 1946
  • Language: en
  • Pages: 154

Journal of American Folklore, V59, No. 233, July-September, 1946

  • Type: Book
  • -
  • Published: 2013-04
  • -
  • Publisher: Unknown

Additional Authors Include Morris Edward Opler, Willard Hallam Bonner, Paul Radin And Alexander H. Krappe.

Medieval Oral Literature
  • Language: en
  • Pages: 768

Medieval Oral Literature

Medieval literature is to a large degree shaped by orality, not only with regard to performance, but also to transmission and composition. Although problems of orality have been much discussed by medievalists, there is to date no comprehensive handbook on this topic. ‘Medieval Oral Literature’, a volume in the ‘De Gruyter Lexikon’ series, was written by an international team of twenty-five scholars and offers a thorough discussion of theoretical approaches as well as detailed presentations of individual traditions and genres. In addition to chapters on the oral-formulaic theory, on the interplay of orality and writing in the Early Middle Ages, on performance and performers, on oral poetics and on ritual aspects of orality, there are chapters on the Older Germanic, Romance, Middle High German, Middle English, Celtic, Greek-Byzantine, Russian, Hebrew, Arabic, Persian and Turkish traditions of oral literature. There is a special focus on epic and lyric, genres that are also discussed in separate chapters, with additional chapters on the ballad and on drama.