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This book offers a spirited analysis of the unique improvisational character of Grateful Dead music and its impact on appreciative fans. The 20 essays capture distinct facets of the Grateful Dead phenomenon from a broad range of scholarly angles. The band's trademark synergizing focus is discussed as a function of complex musical improvisation interlaced with the band members' collective assimilation of an impressive range of marginal musical forms and lyrical traditions. These facets are shown to produce a vibrant Deadhead experience, resulting in community influences still morphing in new directions 45 years after the band's initial impact.
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The first comprehensive compendium of works by one of the groundbreaking pioneers of psychedelic poster art in the late ’60s, California Dreams is a career-spanning collection of 240 pieces pages created over more than five decades of nonstop artistic inspiration. Stanley Mouse is, of course, best known for the eye-popping and iconic posters, album covers and T-shirt designs he—often in collaboration with Alton Kelley—made during the hey-day of San Francisco’s counterculture renaissance and well into the 1970s. His influential work during that era captured the color, fun, mystery, passion and creatively liberating experimentalism of those tumultuous times. But this book also explores...
Robert Crumb (b. 1943) read widely and deeply a long roster of authors including Robert Louis Stevenson, Charles Dickens, J. D. Salinger, Jack Kerouac, William S. Burroughs, and Allen Ginsberg, as well as religious classics including biblical, Buddhist, Hindu, and Gnostic texts. Crumb’s genius, according to author David Stephen Calonne, lies in his ability to absorb a variety of literary, artistic, and spiritual traditions and incorporate them within an original, American mode of discourse that seeks to reveal his personal search for the meaning of life. R. Crumb: Literature, Autobiography, and the Quest for Self contains six chapters that chart Crumb’s intellectual trajectory and explor...
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