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A profusely-illustrated examination of the childhood and formative years of Sviatoslav Richter, whose name has been synonymous with the pinnacle of pianistic art.
Plautus was the single greatest influence on Western comedy. Shakespeare's Comedy of Errors and Molière's The Miser are two subsequent classics directly based on Plautine originals. The comedies printed here show him at his best, and Professor Segal's translations keep their fast, rollicking pace intact, making these the most readable and actable versions available. His introduction considers Plautus' place in ancient comedy. examines his continuing influence, and celebrates his power to entertain. Includes: The Braggart Soldier; The Brothers Menaechmus; The Haunted House; The Pot of Gold
This provocative work provides a radical reassessment of the emergence and nature of Christian sexual morality, the dominant moral paradigm in Western society since late antiquity. While many scholars, including Michel Foucault, have found the basis of early Christian sexual restrictions in Greek ethics and political philosophy, Kathy L. Gaca demonstrates on compelling new grounds that it is misguided to regard Greek ethics and political theory—with their proposed reforms of eroticism, the family, and civic order—as the foundation of Christian sexual austerity. Rather, in this thoroughly informed and wide-ranging study, Gaca shows that early Christian goals to eradicate fornication were ...
The essays in Between Orality and Literacy address how oral and literature practices intersect as messages, texts, practices, and traditions move and change, because issues of orality and literacy are especially complex and significant when information is transmitted over wide expanses of time and space or adapted in new contexts. Their topics range from Homer and Hesiod to the New Testament and Gaius’ Institutes, from epic poetry and drama to vase painting, historiography, mythography, and the philosophical letter. Repeatedly they return to certain issues. Writing and orality are not mutually exclusive, and their interaction is not always in a single direction. Authors, whether they use writing or not, try to control the responses of a listening audience. A variable tradition can be fixed, not just by writing as a technology, but by such different processes as the establishment of a Panhellenic version of an Attic myth and a Hellenistic city’s creation of a single celebratory history.
Scholars have long recognized Lucretius's De Rerum Natura as an important allusive source for the Aeneid, but significant disagreement persists regarding the scope and purpose of Virgil's engagement with Epicurean philosophy. In Atomism in the Aeneid, Matthew M. Gorey investigates that engagement and argues that atomic imagery functions as a metaphor for cosmic and political disorder in Virgil's epic, associating the enemies of Aeneas and of Rome's imperial destiny with the haphazard, purposeless chaos of Epicurean atoms in the void. While nearly all of Virgil's allusions to atomism are constructed from Lucretian intertextual material, Gorey shows how the poet's negative reception of atomism draws upon a long and popular tradition of anti-atomist discourse in Greek philosophy that metaphorically likened the non-teleological cosmology of atomism to civic disorder and mob rule. By situating Virgil's atomic allusions within the tradition of philosophical opposition to Epicurean physics, Atomism in the Aeneid illustrates the deeply ideological nature of his engagement with Lucretius.
This book rewrites the history of Christian peace ethics. Christian reflection on reducing violence or overcoming war has roots in ancient Roman philosophy and eventually grew to influence modern international law. This historical overview begins with Cicero, the source of Christian authors like Augustine and Thomas Aquinas. It is highly debatable whether Augustine had a systematic interest in just war or whether his writings were used to develop a systematic just war teaching only by the later tradition. May Christians justifiably use force to overcome disorder and achieve peace? The book traces the classical debate from Thomas Aquinas to early modern-age thinkers like Vitoria, Suarez, Mart...
Why Vergil? is a collection of forty-three exemplary, classic pieces that demonstrate Vergil's genius or illustrate his enduring influence: a veritable feast for Vergilian scholars, students, and humanists.
The Trial and Crucifixion of Jesus is a comprehensive sourcebook for those looking to gain a more robust understanding of this event through the eyes of ancient writers. Featuring extrabiblical primary texts--along with a new translation and commentary by David W. Chapman and Eckhard J. Schnabel--this work is relevant for understanding Jesus' last days. The significance of Jesus' death is apparent from the space that Matthew, Mark, Luke, and John devote to the Passion narrative, from the emphasis of many speeches in the book of Acts, and from the missionary preaching and the theology of the apostle Paul. Exegetical discussions of Jesus' trial and death have employed biblical (Old Testament) ...