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The Vacuum Cleaner
House cleaning has been an innate human activity forever but only since the early 19th century have mechanical devices replaced the physical labor (performed mostly by women). Mechanical carpet sweepers were replaced by manual suction cleaners, which in turn were replaced by electric vacuum cleaners in the early 20th century. Innovative inventors, who improved vacuum cleaners as electricity became commonly available, made these advances possible. Many early manufacturers failed, but some, such as Bissell, Hoover, Eureka and others, became household names as they competed for global dominance with improved features, performance and appearance. This book describes the fascinating people who made this possible, as well as the economic, cultural and technological contexts of their times. From obscure beginnings 200 years ago, vacuum cleaners have become an integral part of modern household culture.
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The distinguished annual in interdisciplinary textual studies
Re-Thinking Literary Identities
Great Britain is changing, and so is Europe. The aim of this book, therefore, is to reflect upon the processes of (re)creation of art and literature within and against the backdrop of the shifting paradigms of the world as we know it. At a time when the political relations between Great Britain, Europe and the rest of the world are being redefined, this book examines the (de)construction of modern identities through the (de)codification of classical and contemporary mythologies.
Hesitancy and Experimentation in Enlightenment Spain and Spanish America
Published in memory of Ivy L. McClelland, a pioneer-scholar of Spain’s eighteenth century, this volume of original essays contains, besides an Introduction to her career and internationally influential writings, three previously unpublished essays by McClelland and nine studies by other scholars, all of which are focused on elucidating the Enlightenment and its characteristic manifestations in the Hispanic world. Among the Enlightenment writers and artists, works and genres, themes and issues discussed, are: Nicolás Moratín and epic poetry, Lillo’s The London Merchant and English and French influences on eighteenth-century Spanish drama, José Marchena and literary historiography, oppo...
Myths of Modern Individualism
In this volume, Ian Watt examines the myths of Faust, Don Quixote, Don Juan and Robinson Crusoe, as the distinctive products of modern society. He traces the way the original versions of Faust, Don Quixote and Don Juan - all written within a forty-year period during the Counter Reformation - presented unflattering portrayals of the three figures, while the Romantic period two centuries later recreated them as admirable and even heroic. The twentieth century retained their prestige as mythical figures, but with a new note of criticism. Robinson Crusoe came much later than the other three, but his fate can be seen as representative of the new religious, economic and social attitudes which succeeded the Counter-Reformation. The four figures help to reveal problems of individualism in the modern period: solitude, narcissism, and the claims of the self versus the claims of society. They all pursue their own view of what they should be, raising strong questions about their heroes' character and the societies whose ideals they reflect.
Love Poetry of the Literary Academies in the Reigns of Philip IV and Charles II
Detailed consideration of the poetry of the literary academies, with particular attention paid to the literary and social role of the academies in 17c Spain.
The Golden Age Comedia
Drawing on the groundbreaking Spanish scholarship and editions of earlier generations and relying on research conducted in Spanish archives, this pioneering group of English-speaking scholars offers a new treatment of familiar material. The editors yoke together widely varying critical practices, including incisive New Critical readings and far-reaching explorations that draw on the most current European critical thought. In addition to these more strictly literary studies, there are interdisciplinary essays focusing on seventeenth- and twentieth-century reception and the social makeup of the comedia audience. The whole thus presents a balanced picture of the many ways in which the comedia can be viewed, and the contributors complement each other's work in often surprising ways, illuminating the same corpus from a number of perspectives.
The Plays of Juan Ruiz de Alarcón
Arising from neo-stoic interpretations of prudence, Alarcon's identification of the successful manipulation of illusion as a moral art serves as a defence of the comedia and offers an alternative to the supposed moral irresponsibility of Lope de Vega."--Jacket.
Iberian Books Volumes II & III / Libros Ibéricos Volúmenes II y III (2 vols)
Iberian Books II & III presents an indispensable foundational listing of everything known to have been published in Spain, Portugal and the New World, or of items printed in Spanish or Portuguese elsewhere, during the first half of the seventeenth century. Drawing on library catalogues, specialist bibliographies and studies, as well as auction catalogue records, Iberian Books lists 45,000 items, and the locations of some 215,000 copies surviving in 1,800 collections worldwide. These volumes offer a powerful research tool which will appeal to researchers, librarians and to the book selling and collecting communities. They will prove invaluable to anyone with a research interest in the literat...
