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Sigmar Polke, Film und Kunst
For more than 30 years, the artist Sigmar Polke not only painted and photographed, but also filmed many scenes of his everyday life: work, travel, meeting friends.Only very few of these films were shown in public and authorised by him during his lifetime.Here the question as to which new insights this thus far barely accessible work group opens up on the reception of Polke's oeuvre is pursued.English and German text
Tomma Abts
The first major monograph dedicated to the work of the internationally acclaimed abstract painter.
Conor Donlon
"For many years I have thought about the possibility of creating monothematic portrait books of friends I have photographed over a long period. Finally I had the time over Christmas to begin this process and I
The Everyday and Everydayness
A new, affordable edition of French Marxist and proto-Situationist Henri Lefebvre's classic text on the everyday, illustrated by Julie Mehretu The work of French Marxist sociologist and philosopher Henri Lefebvre radically transformed the discourse of political geography. Witness to the rapid urbanization of the 20th century, Lefebvre conceptualized public space as socially produced--a mirror image of capitalist ideology--and levied a humanitarian slogan in response: "the right to the city," a notion that has energized the thought of leading American geographers such as David Harvey and Edward Soja. Lefebvre also worked closely with the Situationist International, collaborating with them on ...
Franz West
The focus of this publication is Franz West's (1947-2012) Kombi-Werke installations, in which greatly differing individual pieces are brought together and then recomposed into new works. Gathering elements such as fittings, furniture, sculpture, videos and works on paper from all periods--and even works made by artist friends--into grand ensembles, the Kombi-Werke are without doubt key elements in West's legacy. An example is the three-part papier-mâché sculpture "Redundanz" its starting point is the gouache "Lost Weight" (1994), with its motif of a dieting woman showing her oversized pants. Omitting the "W," West transforms "Lost Weight" into "Lost Eight," in order to derive the title for a larger work, "Where Is my Eight?" With 250 color illustrations, this substantial and inspiring volume, and the exhibition it accompanies, were overseen by the artist himself, before his death in the summer of 2012.
The Cars
This book looks at a cross section of what cars
Barozzi Veiga
A survey on the Spanish firm designing the Art Institute of Chicago's new campus This monograph on the Barcelona-based architectural firm Barozzi Veiga presents about 30 projects from 2004 to the present--a selection of the most important works developed around the world in places such as Spain, Belgium, Switzerland, China and more. Barozzi Veigacontains digital and handmade drawings, images of finished works and texts.
Jacqueline Humphries
Over the course of her three-decade career, American painter Jacqueline Humphries (born 1960) has committed to abstraction at its extreme. In the mid-2000s, Humphries began experimenting with reflective silver paint on canvas, a feature that has since become a signature of her work. Humphries' iridescent surfaces create an unsettling relationship between the viewer and the painting, constantly shifting according to movement and time. Registering the colors and tones of the environments around them, the paintings engage in a mysterious play of shadows and light, suggestion and intimation. This distinctive monograph--the first to collect Humphries' silver paintings in one volume--illustrates over 70 works, reproducing their luminous surfaces using a technique that lays conventional ink over an Iriodin silkscreened varnish. With essays by David Joselit, Suzanne Hudson and Angus Cooke, the book situates Humphries within a generational discourse as well as a broader art-historical context.
Turning the World Upside Down
The major outdoor sculptures by acclaimed London-based artist Anish Kapoor are currently on show in the beautiful settings of Kensington Gardens, sited to contrast and reflect the changing colours, foliage and weather. Despite their monumental scale, the works appear as pure reflection of their surroundings: the sky, trees, water, wildlife and changing seasons. The distortions in the works mirror-like surfaces call into question the viewers relationship to both the work itself and the surrounding environment. This catalogue of Kapoors installation is brilliantly illustrated with photographs of the works in situ. It is also the first monograph to feature a comprehensive overview of every one of Kapoors stainless steel sculptures.
