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Queer Africa is a collection of unapologetic, tangled, tender, funny, bruising and brilliant stories about the many ways in which we love each other on the continent In these unafraid stories of intimacy, sweat, betrayal and restless confidences, we accompany characters into cafs, tattoo salons, the barest of bedrooms, coldly gleaming spaces into which the rich withdraw, unlit streets, and their own deepest interiors.
A moving, mesmerizing, and astoundingly original debut novel by one of the most exciting literary voices to emerge in recent years.
**National Bestseller **A New York Times Book Review Editors' Choice **A Globe and Mail Best Book of 2017 **A National Post Best Book of 2017 **A CBC Best Book of 2017 **An Amazon Best Book of 2017 **A Popsugar Best Book of 2017 **A Kobo Best Book of 2017 **An NPR Best Book of 2017 **A Chatelaine Best Book of 2017 **A Buzzfeed Best Book of 2017 **A Book Riot Best Book of 2017 **A Chicago Review of Books Best Book of 2017 **A Paste Best Book of 2017 **An Amazon Best Humour and Entertainment Book of 2017 **Finalist for the 2018 Kobo Emerging Writer Prize **Finalist for the 2018 Stephen Leacock Memorial Medal for Humour **Nominated for the 2017 Goodreads Choice Award For readers of Mindy Kaling...
The Lie of 1652 debunks the 'empty-land' myth and claims of a 'Bantu invasion', while outlining 220 years of war and resistance. It recounts the history of migration to the Cape by Africans, Indians, Southeast Asians and Europeans, providing a provocative perspective on the de-Africanisation of local people of colour.
From the brilliant mind of Michaela Coel, creator and star of I May Destroy You and Chewing Gum and a Royal Society of Literature fellow, comes a passionate and inspired declaration against fitting in. When invited to deliver the MacTaggart Lecture at the Edinburgh International Television Festival, Michaela Coel touched a lot of people with her striking revelations about race, class and gender, but the person most significantly impacted was Coel herself. Building on her celebrated speech, Misfits immerses readers in her vision through powerful allegory and deeply personal anecdotes—from her coming of age in London public housing to her discovery of theater and her love for storytelling. A...
The practice and theory of science communication can take many forms. One of them, which this volume represents, explores what forms of knowledge might be constructed when creative writing encounters science. Working outwards from a theoretical framework that sees the sciences as discourses constructed by human endeavour through forms of language and practices of authority, this collection offers writing that emerged from a scientific encounter. It explores the relationship between creativity and scientific experiment, between the languages deployed by scientists in their experiments and analyses and the languages forged by creatives in their ongoing efforts to understand the human condition. Fic Sci 01 brought eleven creative writers together with a biomechanical engineer. The presented science invited creative enquiry into different aspects of flow, that physical property that is so central to research in fluid mechanics. This anthology collects the results of that encounter.
‘Be quiet and be calm, my countrymen, for what is taking place is exactly what you came to do ... Brothers, we are drilling the death drill.’ – Reverend Isaac Wauchope Dyobha Paris, 1958. A skirmish in a world-famous restaurant leaves two men dead and the restaurant staff baffled. Why did the head waiter, a man who’s been living in France for many years, lunge at his patrons with a knife? As the man awaits trial, a journalist hounds his long-time friend, hoping to expose the true story behind this unprecedented act of violence. Gradually, the extraordinary story of Pitso Motaung, a young South African who volunteered to serve with the Allies in the First World War, emerges. Through a...
Provides the most comprehensive account since the early 1960s of South Africa's "black middle class". 2016 CHOICE Outstanding Academic Title The "rise of the black middle class" is one of the most visible aspects of post-apartheid society in South Africa. Yet while it has been a major actor in the country's democratic reshaping, analysis of its role has been all but lacking. Rather, the image presented by the media has been of "black diamonds", consumers of the products of advanced industrial economies, and of corrupt "tenderpreneurs" who use their political connections to obtain contracts. This book seeks to complicate that picture with a much-needed analysis that recounts its historical development in colonial society prior to 1994, before examining the size, shape andstructure of the new black middle class in contemporary South Africa and its relation to its counterparts in the Global South. Roger Southall is Professor Emeritus in Sociology, University of the Witwatersrand. Southern Africa (South Africa, Namibia, Botswana, Lesotho, Zimbabwe and Swaziland): Jacana
The South African photographer Cedric Nunn began working professionally as a photographer when he was twenty-five. It was 1983 and South Africa was entering one of the darkest periods in its history. Nunn had joined the agency and collective Afrapix, determined to make images about life in South Africa that he was not seeing in the media. Almost thirty years later, Nunn is firmly established as one of South Africa's most important photographers. His work has ranged widely across the South African physical and political landscape and he has photographed rallies, funerals, and, in the early 1990s, the momentous political events surrounding Nelson Mandela's release from prison -- page 4 of cover.
What is science communication? This collection proposes that it can be creative writing aimed at the heart, rather than information directed to the mind. FicSci playfully subverts the term 'science fiction' to offer an experimental process that explores the limits of imagination in relation to scientific possibility (and vice versa). FicSci is an experiment in hybridized creative practice that induces new forms of knowledge-making between the hard sciences and the social world. This collection offers writing that emerged from an encounter that brought twelve creative writers together with an astronomer. The presented science invited contemplation of scientific aspects of the night sky, in specific X-ray binary stars, extra-galactic sources, and magellanic clouds. The creative writings that emerged are attendant to the wider potentialities of scientific thought, and reveal how methodologies for storying the scientific encounter are creatively multi-form.