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Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
An introduction provides an analysis of how posters were used in World War II and how that use differed from World War I.
The First World War, a new low in the annals of armed conflict, coincided with a golden age for the relatively new art of advertising. Striking and colourful posters were produced throughout the years 1914–18 to recruit soldiers, promote investment, keep up morale and, naturally, to vilify the enemy; prominent artists including Alfred Leete paired bold images with punchy text to maximise impact. The selection in this book offers an informative guide to the range of posters created and to how they were displayed around the nation, and explores the public's increasing dissatisfaction with being patronised and goaded. From the iconic, commanding Your Country Needs YOU! to the anxious domestic scene of Daddy, What Did YOU Do in the War?, and including the infamous depiction of a bayoneting in Back Him Up!, this book puts the reader in the shoes of the Great War 'man in the street'.
"A lush catalog… exquisitely conceived and rendered."—The New York Times This essential publication features a wide selection of the most eye-catching and iconic examples from the internationally renowned poster collection at the Imperial War Museum in London. More than 300 superb full-color illustrations of hard-hitting propaganda and groundbreaking graphic art encompass unforgettable images such as Alfred Leete’s “Your Country Needs You” as well as documentary photographs and additional material drawn from the world of advertising. Through these posters, James Aulich, an international expert on posters and graphic design, examines the social, political, ethnic, and cultural aspirations of America, Britain, Northern Ireland, Germany, France, the Netherlands, Belgium, Russia, Austria, Hungary, and the Czech Republic. Covering topics as diverse as advertising in World War I, the Bolshevik Revolution, the Spanish Civil War, Germany and Occupied Europe in World War II, anti-nuclear campaigns, and Vietnam, the book is a comprehensive and invaluable resource for anyone interested in graphic design or modern history.
Peter Darman presents a study of the war poster as a propaganda phenomenon between 1939 and 1945. The book contains 200 posters, which are accompanied by detailed captions.
"Keep calm and carry on." In 1939, Britain's Ministry of Information produced this now-ubiquitous reminder to its citizens in the event of widely predicted air attacks. But in the six consecutive years before Germany's surrender to Allied forces, the British public would feel keenly both the physical and moral hardships of war. To boost morale and raise awareness of how citizens' efforts might help--or hinder--the wartime effort, one of the most effective forms the British government had at its disposal was the poster. British Posters of the Second World War presents one hundred posters from this important period in world history. Some proclaimed in bold type that "Victory of the Allies is a...
A “fascinating” guide to war propaganda of WWI and WWII, from “Loose Lips Sink Ships” to “Keep Calm and Carry On”—includes vintage images (Firetrench). A Guide to War Publications of the First & Second World War is devoted to the printed ephemera that was designed to educate, instruct, inform, and entertain during the first and second World Wars. This includes soldiers’ Field Regulations, updates airmen received about airborne early warnings, bomb sights, and radio navigation, and materials sailors were given to help them identify enemy aircraft and operate new weapons on submarines. This comprehensive guide illustrates the large amount of material produced during the war by ...
The arts.
Eighty color and black-and-white posters, issued from 1914 to 1919, feature the work of Steinlen, Biró, Paul Nash, and other noted artists. An informative Introduction details the historical role of wartime posters.
DigiCat Publishing presents to you this special edition of "War Posters Issued by Belligerent and Neutral Nations 1914-1919" by Various. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.