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Anais do VII Seminário Discente do Programa de Pós-Graduação em Sociologia da Universidade Federal de Minas Gerais (PPGS-UFMG)
Em 2022, o VII Seminário Discente do Programa de Pós-Graduação em Sociologia da Universidade Federal de Minas Gerais (PPGS-UFMG), após o arrefecimento da pandemia de covid-19, retornou à modalidade presencial, ao convívio e às possibilidades de conexões nos espaços físicos de interação humana. Nessa edição, conseguimos reunir 13 grupos de trabalho (GTs) e mais de 100 participantes em salas de aula do prédio da Faculdade de Filosofia e Ciências Humanas (FAFICH) da UFMG. Integrantes da Comissão Organizadora, coordenadores/as dos GTs, apresentadores/as de artigos, ouvintes e participantes dos municursos, mais uma vez, viabilizaram muitas discussões sobre temáticas diversas n...
Best of Newspaper Design 29
The Best of Newspaper Design: 29th Edition, the latest edition in Rockport’s highly respected series, presents the winning entries from the Society for News Design’s 2007 competition. Featuring work selected by a panel of judges from more than 14,000 international publication entries, this inspirational volume sets the bar for excellence in journalistic design. Bold, full-color layouts feature the best-of-the-best in news, features, portfolios, visuals, and more, and each entry is accompanied by insightful commentary on the elements that made the piece a standout winner. Every industry professional aspires to one day see his or her work in this book.
Calendar of the Royal College of Surgeons of England
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
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