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Emotion
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Emotion in Aesthetics
Emotion in Aesthetics is the first book on aesthetics to provide an extensive theory of emotion; application of the cognitive-emotive theory to aesthetics; analysis of the relationship between aesthetics, metaphor and emotion; a full theory of meaning and its application to aesthetics; discussion of the relationship between aesthetics, music and language in terms of phonetics, phonology and intonation; an analysis of humanistic aesthetics; a well-developed naturalistic theory of ethics as applied to aesthetics and emotion. Stress is placed on the views of contemporary philosophers as well as some of the main historical accounts of emotion in aesthetics. The important recent work on emotion has not hitherto been applied to aesthetics. As a result there is still much confusion in aesthetics about aesthetic emotion and related concepts, such as the expression theory of emotion. The present book has been written to show how the theory can be used to clarify the issue, resulting in a major breakthrough in aesthetics. In addition, the theory presented is valuable in relating aesthetics to ethics and humanism.
The Philosophy and Practice of Medicine and Bioethics
This book challenges the unchallenged methods in medicine, such as "evidence-based medicine," which claim to be, but often are not, scientific. It completes medical care by adding the comprehensive humanistic perspectives and philosophy of medicine. No specific or absolute recommendations are given regarding medical treatment, moral approaches, or legal advice. Given rather is discussion about each issue involved and the strongest arguments indicated. Each argument is subject to further critical analysis. This is the same position as with any philosophical, medical or scientific view. The argument that decision-making in medicine is inadequate unless grounded on a philosophy of medicine is n...
The Orchestration of the Arts — A Creative Symbiosis of Existential Powers
Regardless of the subject matter, our studies are always searching for a sense of the universal in the specific. Drawing, etchings and paintings are a way of communicating ideas and emotions. The key word here is to communicate. Whether the audience sees the work as laborious or poetic depends on the creative genius of the artist. Some painters use the play of light passing through a landscape or washing over a figure to create an evocative moment that will be both timeless and transitory. The essential role of art remains what is has always been, a way of human expression. This is the role that our participants concentrate on as they discuss art as the expression of the spirit, a creative a...
Essays on Metaphor
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Volume 1
What is an image? How can we describe the experience of looking at images, and how do they become meaningful to us? In what sense are images like or unlike propositions? Participants of the 33rd International Wittgenstein Symposium--philosophers as well as historians of art, science, and literature--provide many stimulating answers. Some of the contributions are dedicated to Wittgenstein’s thoughts on images while others testify to the important role notions coined or inspired by Wittgenstein--“seeing as”, “picture games” and the dichotomy of “saying and showing”--play in the field of picture theory today. This first volume of the Proceedings of the 2010 conference addresses readers interested in the history and theory of images, and in the philosophy of Wittgenstein.
Perplexities
Shortly before his death in 1988, Max Black brought together for this collection previously published major essays on ten intriguing questions concerning ordinary language, rational choice, and literature. Individual chapters explore such fundamental problems as the puzzles posed by meaning and verification; what metaphor is and how metaphors work; the ambiguities and limits of rationality; the usefulness of decision theory to people who wish to make intelligent choices; some questions concerning Bayesian decision theory; the task of demystifying space; and the radical ambiguity of poetry.
Philosophical Perspectives on Metaphor
Philosophical Perspectives on Metaphor was first published in 1981. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. "We are," says Mark Johnson, "in the midst of metaphormania." The past few years have seen an explosion of interest in metaphor as a vehicle for exploring the relations between language and thought. While a number of recent books have dealt with metaphor from the standpoints of several disciplines, there is no collection that shows the best of the work that has been done in the field of philosophy. Mark Johnson has brought together essay...
Lügen und ihre Widersacher
I. Zur Einführung - H. Eggert / U. Kocher: Überlegungen zur Aktualität der 'Lügenforschung' und zu einer historischen Ästhetik der Lüge - E. Krukowska: Die Lüge hat viele Namen. Zum Wortfeld des Verbs lügen im Deutschen und Polnischen - II. Verstellung und Verkleidung - Hochstapler, Uniformierte, Intriganten als Verkörperung der Lüge - H. Oehm: 'Hochstapelei' und Kunst in Thomas Manns Roman Felix Krull - Th. Rahn: Der Lügner als Autor, der Autor als Lügner. Georges Manolescus Memoiren und die Psychologie des Hochstaplers - E. Grzesiuk: "Ich reime, dächt' ich, doch noch ziemlich zusammen, was zusammengehört". Intriganten und Intrigen in Lessings Emilia Galotti - H. Ludorowska: D...
The Corpse
Throughout the centuries, different cultures have established a variety of procedures for handling and disposing of corpses. Often the methods are directly associated with the deceased's position in life, such as a pharaoh's mummification in Egypt or the cremation of a Buddhist. Treatment by the living of the dead over time and across cultures is the focus of this study. Burial arrangements and preparations are detailed, including embalming, the funeral service, storage and transport of the body, and forms of burial. Autopsies and the investigative process of causes of deliberate death are fully covered. Preservation techniques such as cryonic suspension and mummification are discussed, as well as a look at the "recycling" of the corpse through organ donation, donation to medicine, animal scavengers, cannibalism, and, of course, natural decay and decomposition. Mistreatments of a corpse are also covered.
