Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Playtexts
“Not hubris but the ever self-renewing impulse to play calls new worlds into being.”—Nietzsche Parents and politicians have always taken play seriously. Its formative powers, its focus, its energy, and its ability to signify other things have drawn the attention of writers from Plato and Schiller to Wittgenstein, Nabokov, and Eco. The ease with which an election becomes perceived as a race, a political crisis as a football game, or an argument as a tennis match readily proves how much play means to contemporary life. Just how play confers meaning, however, is best revealed in literature, where meaning is perpetually at stake. “At stake” itself, the risk of a gamble, is only one int...
Small Worlds
Small Worlds examines the minimalist trend in French writing, from the early 1980s to the present. Warren Motte first considers the practice of minimalist in other media, such as the plastic arts and music, and then proposes a theoretical model of minimalist literature. Subsequent chapters are devoted to the work of a variety of contemporary French writers and a diversity of literary genres. In his discussion of minimalism, Motte considers smallness and simplicity, a reduction of means (and the resulting amplification of effect), immediacy, directness, clarity, repetition, symmetry, and playfulness. He argues that economy of expression offers writers a way of renovating traditional literary ...
French Fiction Today
French Fiction Today focuses on the French novel in the twenty-first century, examining a series of works that are exemplary of broader currents in the genre. Each of these texts wagers insistently upon our willingness to speculate about literature and its uses, in an age when the value of literature is no longer taken as axiomatic. Each of these texts may be thought of as a critical novel, a form that calls upon us to engage with it in a critical manner, promising that meaning will arise in the articulation of writing and reading. Each of these authors participates in a debate about what the novel is as a cultural form in our present—and about what it may become, in a future that begins right now.
Oulipo
The literary group known as Oulipo, was founded in Paris in 1960 to pursue writing in a way that contrasts strongly with the Anglo-American tradition. The examples included in this collection all display some form of literary constraint.
Why I Have Not Written Any of My Books
Marcel Bénabou is quick to acknowledge that his own difficulty in writing has plenty of company. Words stick and syntax is stubborn, meaning slips and synonyms cluster. A blank page taunts and a full one accuses. Bénabou knows the heroic joy of depriving critics of victims, the kindness of sparing publishers decisions, and the public charity of leaving more room in bookstore displays. Why I Have Not Written Any of My Books (Pourquoi je n’ai écrit aucun de mes livres) provides both a respectful litany of writers’ fears and a dismissal of the alibis offered to excuse them.
The Maltese Touch of Evil
Part thinking-man's fan crush, part crazily inspired remix of the most beloved of film genres, this book will force scholars and film lovers alike to view film noir afresh
Fiction Now
Fiction Now reports on the current states of the novel in France, taking a series of soundings within the compass of innovative French writing since 2001. Chapters focus closely upon Jean Echenoz, Marie Redonnet, Christian Gailly, Lydie Salvayre, Gérard Gavarry, Hélène Lenoir, Patrick Lapeyre, and Christine Montalbetti. Each of the authors invoked exemplified in his or her work a different set of strategies, concerns, and approaches: one of them transposes the Book of Judith to the Parisian suburbs; another imagines the most taciturn of cowboys in the American West; still another goes well beyond death, into the afterlife of a concert pianist. Despite their diversity of theme and technique, these writers share a will to make French fiction new, and demonstrate compellingly that the novel as it is practiced in France today is an extremely vigorous, deeply enthralling, and richly plural cultural form.
Mirror Gazing
Mirror Gazing is a book about reading and looking, about what people seek when they read, and about what stares back at them from the printed page. It is an archival project, based on a wealth of material collected daily by celebrated critic Warren F. Motte over thirty-five years and squirreled away for some eventual winter. It is also a love letter, a confession, a tale of deep obsession, and a cry for help addressed to anyone who takes literature seriously. "At heart, this is not just a book about mirror scenes, interesting as they are-- and they are interesting. It's also a look at passion, at collection, at personal taxonomies and the game of creating order from disorder (do we ever win ...
The Cambridge Companion to French Literature
A fresh and comprehensive account of the literature of France, from medieval romances to twenty-first-century experimental poetry and novels.
Dump this Book While You Still Can!
The narrator discovers a strange book on his desk. He opens the book and it tells him to stop reading and throw it away.
