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Joel Rufus Moseley (1870-1954) is one of the forgotten twentieth-century champions of American Pentecostalism. A brilliant scholar and university professor, he left the accolades of academia and searched a number of spiritual paths until he embraced Pentecostalism in 1910. Thereafter he began a lay ministry to the down-and-outs of society, openly campaigning against capital punishment, for racial desegregation, and above all else for living a life in the Holy Spirit he described as "Life as Love." He blazed a path that was to influence (and confound) many Pentecostal leaders of his time, provided an example to those who would lead what become known as the Charismatic Renewal, and enjoyed a life of joy one rarely encounters. A contemporary version of St. Francis of Assisi, Rufus Moseley shunned position, power, politics, religious titles, and seeking after wealth in favor of following simplicity and depth of spiritual life. Like his thirteenth-century counterpart, he lived a life of gratitude, of "littleness," and above all, love. Moseley offers encouragement as well as reproof to the contemporary charismatic movement to again seek the simplicity that is in Christ.
In this book, Eric Trenkamp addresses a question that many American cinema fans may have asked themselves over the past 20 years – “why is everything superheroes now?” Although it might be easy to dismiss Hollywood’s last two decades of comic book movies as nothing more than overly simplified morality tales, the reality is much more complex. The pervasiveness of the comic book genre throughout American culture, Trenkamp argues, perpetuates a subtextual myth about what it means to be an “American” in the contemporary world. At the core of this myth is the image of who Hollywood considers to be the ideal American hero – the White male savior. This book explores the evolution of t...
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1868-1909/10, 1915/16- include the Statistical report of the secretary of state in continuation of the Annual report of the commissioner of statistics.
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This collection of essays examines how college professors teach the genre of detective fiction and provides insight into how the reader may apply such strategies to his or her own courses. Multi-disciplinary in scope, the essays cover teaching in the areas of literature, law, history, sociology, anthropology, architecture, gender studies, cultural studies, and literary theory. Also included are sample syllabi, writing assignments, questions for further discussion, reading lists, and further aids for course instruction.
After the death of Marion Morrison, known as John Wayne, in 1979, President Jimmy Carter said that Wayne "was bigger than life. In an age of few heroes, he was the genuine article. But he was more than a hero; he was a symbol of many of the qualities that made America great." The first section of this study concentrates on Wayne's style of work and sphere of action as an actor: The man who works for a living and is concerned with his audience and the constraints of his immediate environment. The second section examines the artist: the man who lives in his art, who disappears into his character as an archetype of human fears and desires. Analyses of films that have made Wayne a hero are presented in the third section. A comprehensive filmography and numerous photographs are included.
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