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"The studies collected in Ancient Taxation explore the extractive systems of eleven ancient states and societies from across the ancient world, ranging from Bronze Age China to Anglo-Saxon Britain. Together, the contributors explore the challenges of taxation in predominantly agro-pastoral societies, including basic tax strategy (taxing goods vs. labor, in kind vs. money taxes, direct vs. indirect, internal vs. external, etc.), assessment and collection (particularly over wide geographic areas or at large scale, e.g., by tax farming), compliance, and negotiating the cooperation of social, economic, and political elites or other critical social groups. By assembling such a broad range of studies, the book sheds new light on the commonalities and differences between ancient taxation systems, highlighting how studying taxes can shed light on the fiscal and institutional practices of antiquity. It also provides new impetus for comparative research, both between ancient societies and between ancient and modern extractive practices. This book will be of interest to those studying ancient history, economic history, the history of taxation, or comparative politics and economics"--
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These proceedings present selected research papers from CSNC 2018, held during 23rd-25th May in Harbin, China. The theme of CSNC 2018 is Location, Time of Augmentation. These papers discuss the technologies and applications of the Global Navigation Satellite System (GNSS), and the latest progress made in the China BeiDou System (BDS) especially. They are divided into 12 topics to match the corresponding sessions in CSNC 2018, which broadly covered key topics in GNSS. Readers can learn about the BDS and keep abreast of the latest advances in GNSS techniques and applications.
This book is at once a guided primer on Chinese drama and an innovative textbook. It is a companion volume to How to Read Chinese Drama, designed for Chinese-language learners. How to Read Chinese Drama in Chinese provides a versatile introduction to iconic scenes from traditional Chinese plays for readers who want to experience Chinese drama in the original language. Each chapter features an excerpt from a well-known play, ranging across political intrigue, military adventure, heroic devotion, romantic passion, and raucous humor. A succinct and informative English-language introduction precedes each scene. Excerpts are accompanied by line-by-line modern Chinese translations; individual word...
This book is a comprehensive and inviting introduction to the literary forms and cultural significance of Chinese drama as both text and performance. Each chapter offers an accessible overview and critical analysis of one or more plays—canonical as well as less frequently studied works—and their historical contexts. How to Read Chinese Drama highlights how each play sheds light on key aspects of the dramatic tradition, including genre conventions, staging practices, musical performance, audience participation, and political resonances, emphasizing interconnections among chapters. It brings together leading scholars spanning anthropology, art history, ethnomusicology, history, literature,...
First multi-year cumulation covers six years: 1965-70.
The essays in this volume address a diverse range of issues in China’s narrative art and visual culture mainly from the Ming dynasty (1368–1644) to the present. These studies attend to the complex ways in which images circulate in pictorial media and across boundaries between ‘high art’ and popular culture—images in paintings, prints, stone engravings and posters, as well as in film and video art. In addition, the authors examine the roles of ancient exemplary stories and textual narratives, as well as their reiteration in the visual arts in early modern and modern social and political contexts. The volume is divided into three sections: Representing Paradigms, Interpreting Literary Themes and Narratives, and the Medium and Modernity. While the essays in each section deal with concerns in the field of China’s art history, an editors’ introduction serves to position the topic of narrative art and to introduce definitions and genre issues which run through the book. As a whole, the volume invites reflection on the intrinsic nature of narratives and their pictorial lives, and presents new research which challenges established views and paradigms.
This book constitutes the referred proceedings of two workshops held at the 32nd ACM International Conference on Supercomputing, ACM ICS 2018, in Beijing, China, in June 2018. This volume presents the papers that have been accepted for the following workshops: Second International Workshop on High Performance Computing for Advanced Modeling and Simulation in Nuclear Energy and Environmental Science, HPCMS 2018, and First International Workshop on HPC Supported Data Analytics for Edge Computing, HiDEC 2018. The 20 full papers presented during HPCMS 2018 and HiDEC 2018 were carefully reviewed and selected from numerous submissions. The papers reflect such topics as computing methodologies; parallel algorithms; simulation types and techniques; machine learning.