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Pictorial Narrative in the Nazi Period
This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative. It analyses their contrasting aesthetic strategies and their innovative forms of artistic production. In contrast with the autonomous, modernist art object, their works were explicitly linked with the historical conditions under which they were produced – the pressures of persecution and exile. Conditions in the slave labour camps and ghettos in the Ukraine, which shaped the paintings and drawings of Daghani, are contrasted with the experiences of exile in Belgium and France, which inspired Nussbaum an...
Meditations of a Holocaust Traveler
Markle grasps at the Holocaust, not only from the writings of survivors and academic specialists, but also from his experience as a tourist of the Holocaust. He challenges the way we typically think about the Holocaust: them versus us; then versus now; there versus here. He travels across time, place, and subject to ponder the meaning of the Holocaust for contemporary cultures.
Weimar in Exile
In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, "the best of Germany," refusing to remain citizens in this new state that legalized terror and brutality. Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories. The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Dblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.
Reading Auschwitz
"My mind refuses to play its part in the scholarly exercise. I walk around in a daze, remembering occasionally to take a picture. I've heard that many people cry here, but I am too numb to feel. The wind whips through my wool coat. I am very cold, and I imagine what the wind would have felt like for someone here fifty years ago without coat, boots, or gloves. Hours later as I write, I tell myself a story about the day, hoping it is true, and hoping it will make sense of what I did and did not feel." —From the Foreword Most of us learn of Auschwitz and the Holocaust through the writings of Anne Frank and Elie Wiesel. Remarkable as their stories are, they leave many voices of Auschwitz unhea...
The Way Jews Lived
Intertwining history and art over five centuries, this detailed overview of Jewish culture and events focuses on how printed writings and artworks have reflected the perceptions of Jews by themselves and others. Filled with nearly 400 illustrations of woodcuts, engravings, etchings, lithographs, serigraphs and other visual works, it details the representation of Jews and Jewish life chronologically while giving individual attention to the regions and countries in which Jews have lived in significant numbers. From editions of the Haggadah to portraits to anti-Semitic cartoons, diaries to newspapers to novels, it analyzes a vast array of works that both molded and revealed Jewish popular opinion.
Artists Under Hitler
“What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?” Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany’s darkest period, Petropoulos shows how individuals variously dealt with the regime’s public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines ca...
Western and Northern Europe June 1942–1945
In summer 1942 the Germans escalated the systematic deportations of Jews from Western and Northern Europe to the extermination camps. In most of the countries under German control, the occupying forces initially focused on arresting foreign and stateless Jews, thereby securing the cooperation of local authorities. However, before long the entire Jewish population was targeted for deportation. This volume documents the parallels and differences in the persecution of Jews in occupied Norway, Denmark, the Netherlands, Belgium, Luxembourg and France in the period from summer 1942 to liberation; it records the implementation of the systematic deportation and murder of Jews from Western and Northe...
Year Book
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Studies in Contemporary Jewry: VI: Art and Its Uses
The sixth volume of the annual publication of the Institute for Contemporary Jewry at The Hebrew University of Jerusalem, Art and Its Uses analyzes the levels of meaning present in a wide range of visual images, from high art by Jewish artists to Judaica, caricatures, and political propaganda. The use of such material to illuminate aspects of modern history and society is rather uncommon in the field of modern Jewish studies; these essays provide the tools necessary for understanding the image in its proper social and political context. The distinguished contributors include Richard I. Cohen, Michael Berkowitz, Milly Heyd, Irit Rogoff, Chone Shmeruk, Ziva Amishai-Maisels, Vivianne Barsky, and Vivian Mann. Accompanied by more than 160 illustrations, the essays shed new light on such topics as Jewish nationalism, Jewish identity, and Jewish-gentile relations. In addition to the symposium, the volume contains articles by major scholars of contemporary Jewish studies, a substantial book review section, and a list of recent dissertations in the field.
LebensReise
Dieses Buch der Erinnerung gedenkt vieler bedeutender Persönlichkeiten, denen der Verfasser begegnet ist, in liebevoll-verehrenden Porträts. Als passionierter Bücherliebhaber hat Klaus Garber sich lebenslang auf Bibliotheksreisen begeben in verschwundene Welten begeben. Als erster ging er systematisch dem Schicksal von Bücherschätzen aus dem Osten des alten Deutschland nach. In Sankt Petersburg und Moskau, in den baltischen Staaten und in Polen, ja noch in Minsk und Lemberg fand er Handschriften und Bücher, die herrührten vor allem aus Königsberg, aber auch aus Stettin oder Danzig, Elbing oder Thorn, Breslau oder Dresden. Das Buch erzählt von Begegnungen mit den Hütern dieser Schätze und anderen großen Gelehrten: Stoff genug für unerschöpfliche Erzählungen aus einer Kultur gelehrten Miteinanders und Austauschs über die Abgründe europäischer Zerwürfnisse hinweg.
