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Everything is Choreography
From The Best Little Whorehouse in Texas to My One and Only and Grand Hotel, Tommy Tune helped develop and realize some of the most memorable Broadway shows of the late 20th century. Based on access to Tune's inner circle and interviews with Tune himself, Everything is Choreography: The Musical Theater of Tommy Tune covers the career of this celebrated dancer, singer, actor, choreographer, and director in full.
The Postcolonial Exotic
Graham Huggan examines some of the processes by which value is given to postcolonial works within their cultural field using both literary-critical and sociological methods of analysis.
African Migration Narratives
Examines the representations of migration in African literature, film, and other visual media, with an eye to the stylistic features of these works as well as their contributions to debates on migration
Fictions of America
The Internet has had a huge impact on channels of communication and information, reaching across time and space to connect the world through globalisation. In this Internet-led world, story links to story, windows open on new stories and no overall authority establishes priority. This sense of globalisation has raised many questions for contemporary American Novelists, primarily the usefulness or redundancy of narrative and its potentially adaptive function. What are the right stories for such a broadband world? How do contemporary American novelists respond to issues such as the influence of the multinational corporation and its predecessors, human rights Imperialism, the literary work as a...
Postcolonlsm
First published in 2004. This is Volume I of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes part one framing the field; part two Marxist, Liberation and Resistance Theory and also part three on Manifestos.
Queer Sexualities: Diversifying Queer, Queering Diversity
This volume was first published by Inter-Disciplinary Press in 2013. Queer Sexualities: Diversifying Queer, Queering Diversity offers an interdisciplinary approach to studies of queer sexualities. Using queer to disrupt and subvert, the chapters in this volume address a diverse range of themes and approaches to the study and articulation of queer sexuality. Through the approaches offered by ethics, activism and politics, theology, ethnography, film, literature and media studies, as well as geography and architecture, the chapters all work to emphasise that queer crosses borders, troubling and breaking down these borders as they go. At the heart of each of the chapters are diverse ways of looking at sexualities. The chapters disrupt the heteronormative ownership of sex and the body. In so doing, this volume offers a perspective of queer sexuality that subverts borders, at the same time highlighting the multiple ways of doing queer across times, spaces and disciplines.
Critical Theory
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The Voices of Nîmes
Most of the women who ever lived left no trace of their existence on the record of history. In this book, Suzannah Lipscomb recovers the lives and aspirations of ordinary sixteenth- and seventeenth-century French women, using rich source material to show what they thought about their lives, menfolk, friendships, faith, and sex.
Back to the Future of the Body
What can the past tell us about the future(s) of the body? The origins of this collection of papers lie in the work of the Birkbeck Institute for the Humanities which has been involved in presenting a series of international workshops and conferences on the theme of the cultural life of the body. The rationale for these events was that, in concepts as diverse as the cyborg, the questioning of mind/body dualism, the contemporary image of the suicide bomber and the patenting of human genes, we can identify ways in which the future of the human body is at stake. This volume represents an attempt, not so much to speculate about what might happen, but to develop strategies for bodily empowerment ...
New World Myth
In this comparative study of six Canadian novels Marie Vautier examines reworkings of myth in the postcolonial context. While myths are frequently used in literature as transhistorical master narratives, she argues that these novels destabilize the traditional function of myth in their self-conscious reexamination of historical events from a postcolonial perspective. Through detailed readings of François Barcelo's La Tribu, George Bowering's Burning Water, Jacques Godbout's Les Têtes à Papineau, Joy Kogawa's Obasan, Jovette Marchessault's Comme une enfant de la terre, and Rudy Wiebe's The Scorched-Wood People, Vautier situates New World myth within the broader contexts of political history and of classical, biblical, and historical myths.
