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Let’s Not Talk Anymore weaves together five generations of women from Weng Pixin’s family, each at age fifteen. Her lineage is full of breakages—her great grandmother Kuan is sent away from her family in South China, her grandmother Mèi is adopted by a neighbor to help with housework, and her mother, Bing, is heartbroken by her father’s estrangement. Pixin's own story centers on her feelings of isolation and her rebellion from her mother. She extends the line by envisioning a fictional future daughter, Rita, who questions her family’s legacy. While spanning one hundred years, Pixin moves back and forth in time seamlessly, as each woman experiences loneliness and kinship, hope and ...
Vibrant swathes of paint build resonant portraits of heartache, childhood memories, and loneliness Sweet Time is an intimate rumination on love, empathy, and confidence. Singaporean cartoonist Weng Pixin delicately explores strained relationships with a kind of hopefulness while acknowledging their inevitable collapse. Her stories are like a series of snapshots in a photo album or the brightest highlights from an Instagram profile. Gorgeous image follows gorgeous image in a delicate quest to find connection. A night out turns into a chance encounter that is at first ecstatic and then quickly descends into awkwardness. A round of “he loves me, he loves me not” becomes a way of reading every action taken by a distant love interest. A couple find themselves in an artificially beautiful landscape, but the relationship can’t survive their difference of opinion on the illusion of its beauty. In Sweet Time, thick and bold strokes of color mingle with delicate lines. Weng combines the colorful realism of Maira Kalman with a gentle wit and introspection all her own, crafting infinitely relatable stories of everyday life and love now.
An admonishment, a command, a mantra Weng Pixin revisits herself at her most vulnerable, in her art school days. She tries on various identities trying to understand who she is. Is she a sexual libertine? A fine artist? A sensitive friend? Just then, in steps a charismatic art instructor who helps her see her true worth. She joins his tight-knit group of artistic seekers and begins her real education. But...is something sinister lurking beneath the surface? Rivalries develop, friends disappear or are cast out, her instructor's words take on a caustic edge. Pix becomes unmoored and less sure of herself than ever before and she begins to suspect she’s entered into a cult. Dream-like floral c...
Vibrant swatches of paint build resonant portraits of heartache, childhood memories, and loneliness Sweet Time is an intimate rumination on love, empathy, and confidence. Singaporean cartoonist Weng Pixin delicately explores strained relationships with a kind of hopefulness while acknowledging their inevitable collapse. Her stories are like a series of snapshots in a photo album or the brightest highlights from an Instagram profile. Gorgeous image follows gorgeous image in a delicate quest to find connection. A night out turns into a chance encounter that is at first ecstatic and then quickly descends into awkwardness. A round of “he loves me, he loves me not” becomes a way of reading every action taken by a distant love interest. A couple find themselves in an artificially beautiful landscape, but the relationship can’t survive their difference of opinion on the illusion of its beauty. In Sweet Time, thick and bold strokes of color mingle with delicate lines. Weng combines the colorful realism of Maira Kalman with a gentle wit and introspection all her own, crafting infinitely relatable stories of everyday life and love now.
"One of the most inventive and prolific cartoonists working today."—Vulture In the past ten years, Michael DeForge has released eleven books. While his style and approach have evolved, he has never wavered from taut character studies and incisive social commentary with a focus on humor. He has deeply probed subjects like identity, gentrification, fame, and sexual desire. In “No Hell,” an angel’s tour of the five tiers of heaven reveals her obsession with a haunting infidelity. In “Raising,” a couple uses an app to see what their unborn child would look like. Of course, what begins as a simple face-melding experiment becomes a nightmare of too-much-information where the young coup...
Drawn in stunning detail, Elvin Ching reveals a tale of revenge, where evil creatures lurk deep in the woods. When a woodsman inadvertently disrupts a bloody ritual, he unleashes an unspeakable terror upon his village. In a desperate bid to protect his family, he races against time to track down and take out the bloodthirsty fiend, and exact his revenge.
A recovering alcoholic lives in the shadow of a world famous comic strip and its tyrannical creator Caleb is a middle-aged painter with a non-starter career and a checkered past. He also happens to be the only child of one of the world’s most famous cartoonists, Jimmi Wyatt. Known for the internationally beloved father and son comic Sonny Side Up, Jimmi made millions drawing saccharine family stories while neglecting his own son. Now sober, Caleb is haunted by his wasted past and struggling to take responsibility for his present before it’s too late. His always patient boyfriend, James, is reaching the end of his rope. When Caleb gets the chance to step out from his father’s shadow and shape the most public aspect of the family business, he makes every bad decision and watches his life fall apart. Is it too late to repair the harm? Are we forever doomed to make the same mistakes our parents did?
A unique global survey of fresh contemporary illustration talent and a daring experiment in creative collaboration. Features profiles of and interviews with 50 of the world's most exciting illustrators, including Julia Rothman, Whitney Sherman and Mike Perry. Taking us far beyond a simple, curated compilation, Illustration Next provides unparalleled insights into how great young innovative minds think and work - and what inspires them. Includes a collaborative project with illustrators working in pairs to create original work.
A dulcet debut capturing a touching relationship between the spirited Nori and her grandma Ignatz nominated and MoCCA Arts Festival Award-winning cartoonist Rumi Hara invites you to visit her magical world. Nori (short for Noriko) is a spirited three-year-old girl who lives with her parents and grandmother in the suburbs of Osaka during the 1980s. While both parents work full-time, her grandmother is Nori’s caregiver and companion—forever following after Nori as the three year old dashes off on fantastical adventures. One day Nori runs off to be met by an army of bats—the symbol of happiness. Soon after, she is at school chasing a missing rabbit while performing as a moon in the school...
A page-turning, Kafkaesque dark comedy in brilliant retro style, this graphic novel watches one man try to keep it together while everything falls apart. Upon the publication of his latest novel, G. H. Fretwell, a minor English writer, embarks on a book tour to promote it. Nothing is going according to plan, and his trip gradually turns into a nightmare. But now the police want to ask him some questions about a mysterious disappearance, and it seems that Fretwell's troubles are only just beginning… In his first book for adults in many years, acclaimed cartoonist Andi Watson evokes all the anxieties felt by every writer and compresses them into a comedic gem of a book. Witty, surreal, and sharply observant, The Book Tour offers a captivating lesson in letting go.