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Wilhelm Von Humboldt's Philosophy of Language, Its Sources and Influence
This study argues that Humboldt's philosophy of language should be seen as a coherent system in which he envisages the interaction of thought, perception and imagination. It underlines the significance of Humboldt's approach to his philosophical sources and his clarification and development of ideas embodied in those sources. The discussion brings into focus the thought of such eminent philosophers as Leibniz, Condillac, Herder, and Kant, who exercised a profound influence on Humboldt's thought.
Humboldt: 'On Language'
Wilhelm von Humboldt's classic study of human language was first published in 1836, as a general introduction to his three-volume treatise on the Kawi language of Java. It is the final statement of his lifelong study of the nature of language, exploring its universal structures and its relation to mind and culture. Empirically wide-ranging - Humboldt goes far beyond the Indo-European family of languages - it remains one of the most interesting and important attempts to draw philosophical conclusions from comparative linguistics. This 1999 volume presents a translation by Peter Heath, together with an introduction by Michael Losonsky that places Humboldt's work in its historical context and discusses its relevance to contemporary work in philosophy, linguistics, cognitive science, and psychology.
The Philosophical Foundations of Humboldt's Linguistic Doctrines
Wilhelm von Humboldt s writings on language are a mixture of philosophical theorizing about mind and language on the one hand, and on the other hand, specialized studies of the most detailed sort of both the classical languages and languages which only in Humboldt s day were becoming known to European scholars, such as Sanskrit, Chinese, and native north and south American languages. This book endeavors to show that Humboldt s work on language is a coherent system of thought; to recapture and expose the systematic structure of assumption, hypothesis, argument and conclusion; and to assign many of the specific themes in his writing to a place within this structure.
