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Considered a German Byron by his contemporaries, Johann Ludwig Wilhelm Müller (1794-1827) is usually remembered today as the German Romantic poet whose lyrics Franz Schubert set to music in Die schöne Müllerin and Die Winterreise. A philhellene who wrote impassioned lyrics in support of the Greeks in their struggle for independence from the Turks, Müller also collected and edited Italian and modern Greek folk songs. Goethe very likely became acquainted with Marlowe's The Tragical History of Doctor Faustus through Müller's 1818 translation of that work. Müller was an influential critic and scholar of the Romantic Era, a creative public librarian and publisher's consultant (with the pres...
Eighteen new articles on the works of Goethe and other authors of the Goethezeit, along with the customary book review section. The Goethe Yearbook is a publication of the Goethe Society of North America. It publishes original contributions to the understanding of Goethe and other authors of the Goethezeit. Its book review section evaluates awide selection of publications on the period, and is important for all scholars of 18th-century literature. The eighteen articles in this volume treat a wide range of topics. The volume opens with the last work of the late StuartAtkins, on Renaissance and Baroque elements in Faust, and proceeds to a critical appreciation of the Goethe scholarship of the ...
We are what we know. We know what is handed down. Our daily life is organised by "historical narrations". Universally. To judge over the validity of "historical narrations" and of history, we must know all about those narrators of history. Today, and during the last two centuries, all narrators of history are educated in institutions created by European Christians. They narrate history incoherently though the history all over is coherent and interdependent. The libraries are flooded by incoherent deliberations and with books that are copied and pasted from other books. This is more so since the rise of the Ottoman Empire, since the blockade of the land route and beginning of search for a sea...
From Goethe to Gundolf: Essays on German Literature and Culture is a collection of Roger Paulin’s groundbreaking essays, spanning the last forty years. The work represents his major research interests of Romanticism and the reception of Shakespeare in Germany, but also explores a broader range of themes, from poetry and the public memorialization of poets to fairy stories - all meticulously researched, yet highly accessible. As a comprehensive examination of German literary history in the period 1700-1900, the collection not only includes accounts of the lives and work of Goethe, Schiller, the Schlegels, and Gundolf (amongst others), serving to nuance our understanding of these figures in history, but also considers diverse (and often underexplored) topics, from academic freedom to the rise of travel literature. The essays have been reformulated, corrected, and updated to add references to recent works. However, the core foundations of the originals remain, and just as when they were first published, the value of these essays – to researchers, students, and all those who are interested in German literary history – cannot be overstated.
"I like these songs better than all the rest, and someday you will too," Franz Schubert told the friends who were the first to hear his song cycle Winterreise. These lieder have always found admiring audiences, but the poetry he chose to set them to has been widely regarded as weak and trivial. Susan Youens looks not only at Schubert's music but at the poetry, drawn from the works of Wilhelm Müller, who once wrote in his diary, "perhaps there is a kindred spirit somewhere who will hear the tunes behind the words and give them back to me!" Youens maintains that Müller, in depicting the wanderings of the alienated lover, produced poetry that was simple but not simple-minded, poetry that embraced simplicity as part of its meaning. In her view, Müller used the ruder folk forms to give his verse greater immediacy, to convey more powerfully the wanderer's complex inner state. Youens addresses many different aspects of Winterreise: the cultural milieu to which it belonged, the genesis of both the poetry and the music, Schubert's transformation of poetic cycle into music, the philosophical dimension of the work, and its musical structure.