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**THE SUNDAY TIMES BESTSELLER** 'Thrilling dispatches from a vanishing world' Observer Animals don't exist to teach us things, but that is what they have always done, and most of what they teach us is what we think we know about ourselves. From the bestselling author of H is for Hawk comes Vesper Flights, a transcendent collection of essays about the human relationship to the natural world. Helen Macdonald brings together a collection of her best-loved writing along with new pieces covering a thrilling range of subjects. There are essays here on headaches, on catching swans, on hunting mushrooms, on twentieth-century spies, on numinous experiences and high-rise buildings; on nests and wild pigs and the tribulations of farming ostriches. Vesper Flights is a book about observation, fascination, time, memory, love and loss and how we make the world around us. Moving and frank, personal and political, it confirms Helen Macdonald as one of this century's greatest nature writers. A perfect read for anyone looking for renewed appreciation for the natural world. 'Helen Macdonald is one of the best nature writers now working' The Telegraph
Emily Webb is a Geek—and happy that way. She's never been the kind of girl who sneaks out for parties. And she definitely doesn't start fights or flirt with other girls' boyfriends. Until one night Emily finds herself doing exactly that . . . the same night a classmate—also named Emily—is found mysteriously murdered. Thing is, Emily doesn't know why she's doing this. Every night she gets wilder until it's no longer just her personality that changes; she's also becoming strong, and fast, and utterly fearless. Has she been bewitched by the soul of the other, murdered Emily? Or is Emily Webb becoming something else entirely—something not human?
A wide-ranging, insightful history of culture in West Germany—from literature, film, and music to theater and the visual arts After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period’s progressive ideals. In this moment of cultural stasis, how could West Germany’s artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen’s innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past—and eventually allow democracy to reemerge.
A Stylist Best New Fiction of 2021 Selection, this stunning 1950s set debut mystery is a perfect summer read. 'A remarkably assured debut. A tale of inequality, broken dreams and quiet desperation behind a picture-perfect facade' Guardian 'A clever and absorbing debut by Inga Vesper, who bricks Joyce up in her perfect house, then smashes it to pieces with aplomb' The Times ________ Yesterday, I kissed my husband for the last time . . . It's the summer of 1959, and the well-trimmed lawns of Sunnylakes, California, wilt under the sun. At some point during the long, long afternoon, Joyce Haney, wife, mother, vanishes from her home, leaving behind two terrified children and a bloodstain on the k...
'Tremendously good' Observer 'The most vivid and compelling portrait of late Victorian London since The Crimson Petal and the White' Sarah Perry 'Part Wilkie Collins, part Conan Doyle' Guardian 'Huge fun' Daily Mail 'Has everything you could want in a novel' Stylist 'Dickens is whirling enviously in his grave ... Read by a fire on a cold winter evening' Irish Times 'Ladies and gentlemen, the darkness is complete.' It is the winter of 1893, and in London the snow is falling. It is falling as Gideon Bliss seeks shelter in a Soho church, where he finds Angie Tatton lying before the altar. His one-time love is at death's door, murmuring about brightness and black air, and about those she calls t...
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Vesper Reynolds is heir to House Reynolds—greatest of the seven noble families that serve the Selwyns, the galaxy’s ruling house that’s controlled it for generations. Vesper is also strikingly handsome, an accomplished knight on his home world, Cornill, and is engaged to be married to Bethaney—the beautiful heir to the Von Wincott household. Vesper has secrets, though, that could ruin everything: He is not really in love with Bethaney. He loves someone he is forbidden by law to be with, Sill Selwyn—the son of the Queen of Xenotime and Vesper’s knight in training—with whom he has carried on an illicit affair for years. Vesper hopes not to have to wed Bethaney until it comes time...
Dahli Sandiniti is luckier than most teen girls on her home world of Sferkkaa, and she knows it. She has a roof over her head, her best friend Diza, her older sister Teirra, a room of her own with some posters on the wall, and usually food enough to eat. What Dahli loves most of all is music, especially Sferkkaa's most famous band, The Mortified Gryphons. She'd love to meet the drummer, but that will never happen. Certainly not by accidentally walking into a bathroom and clobbering him with a door. Please note: This is the full Gryphons story, and is comprised of the three shorter novels 'The Kids Are Alright', 'Take the Long Way Home', and 'Celebration Day'.
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