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Makers of New York
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To Myself A Stranger
When she was forty-four years old, Rose Hawthorne Lathrop left her comfortable home in New London, Connecticut, and soon thereafter took an apartment on Manhattan's Lower East Side. She ran a newspaper ad inviting indigents dying of cancer to come live with her to be cared for until their death. The journey that led this daughter of one of America's most prominent literary figures to that Lower East Side tenement is the subject of this fascinating and far-reaching biography by Patricia Dunlavy Valenti. Rose was born in 1851, the youngest child of Nathaniel and Sophia Hawthorne. As an adult, she reflected upon a childhood that "made me seem to myself a stranger who had come too late." Indeed,...
Race, Rights, and Rifles
An eye-opening examination of the ties between American gun culture and white male supremacy from the American Revolution to today. One-third of American adults—approximately 86 million people—own firearms. This is not just for protection or hunting. Although many associate gun-centric ideology with individualist and libertarian traditions in American political culture, Race, Rights, and Rifles shows that it rests on an equally old but different foundation. Instead, Alexandra Frilindra shows that American gun culture can be traced back to the American Revolution when republican notions of civic duty were fused with a belief in white male supremacy and a commitment to maintaining racial a...
Under Fire
Originally published in 1993, "Under Fire "was widely hailed as the first objective examination of the NRA and its efforts to defeat gun control legislation. Now in this expanded edition, Osha Gray Davidson shows how the NRA's extremism has cost the organization both political power and popular support. He offers a well-reasoned and workable approach to gun control, one that will find many supporters even among the NRA membership.
Club Men of New York
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Reading Fiction in Antebellum America
James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War. Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America. Through careful analysis, Machor illuminates how the reading practices of nineteenth-cen...
