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First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
"The author, the first Westerner to be initiated into a traditional carpentry guild, begins by illuminating the significance of the "way" of the art and craft of carpentry in Japan, revealing the religious rituals that surround the carpenter's tools and the building process as well as the secret traditions and the trade's transmission from master to disciple over the centuries. He discusses the organization of the carpenters' guilds, the apprenticeship system, and the divisions of labor and specialization within the profession. He reviews the m,aterials of Japanese carpentry, the woods the masters worked with, and outlines the primary methods of design and construction - for the traditional master carpenter did both. ..."--Book flap.
Japan: Courts and Culture tells the story of three centuries of British royal contact with Japan, from 1603 to c.1937, when the exchange of exquisite works of art was central to both diplomatic relations and cultural communication. With discussions of courtly rituals, trade relationships, treaties, and other matters of concern between the two nations, this book provides important historical and political context in addition to granting a new look at the works of art in question. Featuring new research on previously unpublished works, including porcelain, lacquer, armor, embroidery, metalwork, and works on paper, this book showcases the unparalleled craftsmanship of these objects, and the local materials, techniques, and traditions behind them. Japan: Courts and Culture is published to accompany a spectacular exhibition of the same name, which opens at The Queen's Gallery, Buckingham Palace, in June 2020. The book's stunning photography, contextual essays, and historical insights offer a highly visual record of a royal narrative and history that has not yet been widely documented.
Good,No Highlights,No Markup,all pages are intact, Slight Shelfwear,may have the corners slightly dented, may have slight color changes/slightly damaged spine.
This Handbook is an interdisciplinary resource that focuses on contemporary Japan and the social and cultural trends that are important at the beginning of the twenty-first century.
This book makes available for the first time a treasure trove of hitherto unpublished documents on Japan in the war years and immediate postwar occupation and recovery. The documents consist of newsletters, newspaper articles, texts of radio broadcasts and letters written by Frank William Coaldrake, a pacifist and priest and the first Australian civilian to enter Japan after the war, with his wife Maida. Frank and Maida formed a team of participant observers in the challenge of a nation confronting its past and trying to find hope in a future while occupied by foreign powers. This is a rare and comprehensive collection of first hand accounts of Japan by two astute observers. The daily struggle against starvation is interspersed with issues such as war atrocities, the atomic bombings, the status of the Imperial Family, the British monarch and labour unions. The text is illustrated with photographs taken by Frank Coaldrake. With an introduction by William H. Coaldrake, son of the authors.
"A house is a site, the bounds and focus of a community. It is also an artifact, a material extension of its occupants’ lives. This book takes the Japanese house in both senses, as site and as artifact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era. As Japan modernized, the principles that had traditionally related house and family began to break down. Even where the traditional class markers surrounding the house persisted, they became vessels for new meanings, as housing was resituated in a new nexus of relations. The house as artifact and the artifacts it housed were affected in turn. The construction and ornament of houses cease...
As Japan enters the 21st century with a new emperor, this title continues to be an indispensable guide through often enigmatic and historical idiosyncrasies of Japanese culture and politics that are often confusing to the outsider. This title includes information on the latest social developments, customs, rituals, business culture, medicine and arts.
The Japan-British exhibition in London, 1910 was the most concerted and systematic attempt by Meiji Japan to explain its traditional society and arts, modern industry and empire, to its most important international ally, Great Britain. This is a facsimile edition of the original book compiled and edited for the exhibition by Count Hirokichi Mutsu (1869-1942) and published in London and Tokyo in four parts in 1910 and 1911 by the Imperial Japanese Commission. This compendium of newspaper and journal articles, starting in March 1909 and ending in December of 1910, covers the preparation, activities and immediate aftermath of the Exhibition. Making widely available a veritable treasure trove of information and insight, it will be of interest to students and scholars of Japan and Britain alike, providing authoritative insights into contemporary attitudes in each country towards the other.
Considering Castles and Tenshu -- Modern Castles on the Margins -- Overview: "from Feudalism to the Edge of Space" -- From Feudalism to Empire -- Castles and the Transition to the Imperial State -- Castles in the Global Early Modern World -- Castles and the Fall of the Tokugawa -- Useless Reminders of the Feudal Past -- Remilitarizing Castles in the Meiji Period -- Considering Heritage in Early Meiji -- Castles and the Imperial House -- The Discovery of Castles, 1877-1912 -- Making Space Public -- Civilian Castles and Daimyo Buyback -- Castles as Sites and Subjects of Exhibitions -- Civil Society and the Organized Preservation of Castles -- Castles, Civil Society, and the Paradoxes of "Taish...