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The World of William Notman
"Largely forgotten today, Notman was a dominant figure of photography in the U.S. and Canada in the 1870s and '80s. His Montreal-based family firm documented a continent's prideful development through photographs of architectural triumphs, universities and the land's ascendant citizens in elaborately staged studio portraits. The authors adequately describe the Glasgow emigrant Notman's business flair and ingenious artistry, but the real excitement is provided by the 173 duotones and 70 halftones. The railroads' westward thrust, Niagara's towering suspension bridge, a Royal Artillery review, a sidewheel steamer breasting the rapids, Quebec farms and Indian villages are all brought to life again. Longfellow, Emerson, Mark Twain, Lillie Langtry, the exiled Jefferson Davis, a young George V, Sitting Bull, Buffalo Bill, scholars, statesmen and tycoons posed for Notman cameras. A striking curiosity to modern eyes are the composite portraits of "Confederate Commanders, 1883" or a "Yale College group" which combine photos of individuals against an illustrated background with surprisingly effective results."-- Publisher's Weekly via Amazon.ca.
William Notman
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Notman
Catalog of an exhibition at McCord Museum from November 4, 2016-April 17, 2017.
Portrait of a Period
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William Notman
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Le studio de William Notman
Vue d'ensemble de l'oeuvre et de la carrière de ce célèbre photographe montréalais du siècle dernier. Photographe talentueux, il a excellé dans la photographie de paysages : on lui doit de belles images de la construction du pont Victoria. Il est aussi connu pour ses portraits intimistes de personnalités montréalaises bien en vue. Homme d'affaires avisé, il a établi sept studios au Canada et aux Etats-Unis. Les photographies figurant à ce catalogue appartiennent aux Archives photographiques Notman du Musée McCord.
Photographic Selections [microform]
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
