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Ridley Scott, the director of such seminal films as Blade Runner, Alien and Thelma & Louise, is one of the most important directors of the last fifty years. Unlike many directors, Scott has been remarkably transparent about his craft, offering the audience glimpses into his creative process. This book explores Scott's oeuvre in depth, devoting a chapter to his 22 primary works, from his first effort, Boy and Bicycle (1962), through Robin Hood (2010). Topics discussed include the critical reception of the films, and the ways in which Scott's works function as cinematic mediators of issues such as religion, women's rights and history.
This book is a critical encyclopedia of silent European films currently available on DVD, laser disc, and VHS. It provides concise and accurate summaries of the films, evaluates the quality of the prints, discusses the changing reputations of both films and filmmakers, and considers how the techniques developed during the silent period continue to influence filmmaking today. The book cites contemporary and recent criticism of the films and includes an extensive bibliography as well as a list of films by director. Numerous photos are also included.
Since his rise to fame in the television series 21 Jump Street in 1987 and his subsequent transition to film acting, Johnny Depp has received constant criticism for his choice of roles--at least until his popular turn in the Pirates of the Caribbean series. This book aims to reveal the ways in which Depp's choices of film roles, though often considered eccentric, allowed him to develop into the representative film actor of his time. It organizes all of Depp's films chronologically, narrating in the process his transition from underestimated teenage pretty boy to bona fide Hollywood hotshot. Along the way, the book addresses Depp's relationship to earlier film actors, especially to Marlon Brando and the silent comics; the influence of Depp's androgynous sexuality on both his choice of roles and his acting; and his relationships with directors Terry Gilliam and Tim Burton.
Since his rise to fame in the television series 21 Jump Street in 1987 and his subsequent transition to film acting, Johnny Depp has received constant criticism for his choice of roles--at least until his popular turn in the Pirates of the Caribbean series. This book aims to reveal the ways in which Depp's choices of film roles, though often considered eccentric, allowed him to develop into the representative film actor of his time. It organizes all of Depp's films chronologically, narrating in the process his transition from underestimated teenage pretty boy to bona fide Hollywood hotshot. Along the way, the book addresses Depp's relationship to earlier film actors, especially to Marlon Brando and the silent comics; the influence of Depp's androgynous sexuality on both his choice of roles and his acting; and his relationships with directors Terry Gilliam and Tim Burton.
This multiauthor book concentrates on themes and images of religion in film. It features analysis of some of the most important directors in the twentieth century, includiing Coppola, Chaplin, Hitchcock, and Truffaut, among others.
This book is a collection of conversations with important contemporary Southern novelists and with Lewis P. Simpson, longtime co-editor of The Southern Review and an established authority on Southern literature. The two long conversations with Professor Simpson place the post World War II Southern novel in the context of modern literature and of the classical Southern novel. Professor Simpson, who knew many of the giants of Southern literature, assesses the writers of the past and the possibilities of the future. The volume includes conversations with Ernest Gaines, Madison Jones, Shirley Ann Grau, David Madden, the late John William Corrington, James Wilcox, and Vance Bourjaily. A chapter by the editor about his relationship with the late Walker Percy concludes the volume. Co-published with Southeastern Louisiana State University.