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The Sonnets of William Percy, 1594, Ed., with Intr. and Notes, by A.B. Grosart
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Collected Poems of William Alexander Percy
His poetry covers places and subjects from Greece to the Mississippi River delta and speaks of his varied experiences in meeting with people here and abroad.
William Percy's Mahomet and His Heaven
William Percy's Mahomet and His Heaven (1601) - roughly contemporary to Shakespeare's Othello - is the only known play of the early modern period to place the Prophet Mohammad on the stage. The play takes place in around the mosques of 'Mecha' and the action mirrors parts of the Qur'an, the Islamic holy text that was rarely available in England at the time.Matthew Dimmock presents here the play in its entirety, with a critical introduction which introduces some of the key themes of the play, and its textual and social context. A section of detailed explanatory scholarly notes follow the play, with a full translation of the short Latin sections and a reference to any political or literary parallels. This book should be required reading for historians and literary scholars dealing with notions of 'race' and 'religion' in early modern England.
