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The Autobiography of William Sanders Scarborough
An important autobiography that reveals the story of William Sanders Scarborough who rose out of slavery to become a renowned classical philologist and African American icon. "If W.E.B Du Bois, the antecedent of today's black public intellectuals, himself has an antecedent, it is W. S. Scarborough, the black scholar's scholar." – Henry Louis Gates Jr. This illuminating autobiography traces Scarborough's path out of slavery in Macon, Georgia, to a prolific scholarly career that culminated with his presidency of Wilberforce University. Despite the racism he met as he struggled to establish a place in higher education for African Americans, Scarborough was an exemplary scholar, particularly i...
The Works of William Sanders Scarborough
The first professional classicist of African American descent, William Sanders Scarborough rose from slavery to become president of Wilberforce University in Ohio. Excelling at Latin and Greek, he crossed the color line both socially and intellectually with his entry into a field of study commonly seen as elitist and dominated by white men. Although unknown to classicists today, Scarborough had a distinguished career in the field and held membership in many learned societies and had an active publication record. His life as an engaged intellectual, public citizen, and concerned educator was admired and emulated by W. E. B. Du Bois.This collection, which spans a half a century from the end of Reconstruction through the vagaries of World War I and the rise of Jim Crow, gives us window we have not had before into the challenges and ambiguities of this period. As a committed intellectual, concerned educator and loyal citizen, he served as an ambassador to and for his race to several generations of people both in the U.S and abroad. In Scarborough's writings we have a portrait of a man whose struggle for physical and intellectual freedom can inform us all.
The Works of William Sanders Scarborough
The first professional classicist of African American descent, William Sanders Scarborough rose from slavery to become president of Wilberforce University in Ohio. Excelling at Latin and Greek, he crossed the color line both socially and intellectually with his entry into a field of study commonly seen as elitist and dominated by white men. Although unknown to classicists today, Scarborough had a distinguished career in the field and held membership in many learned societies and had an active publication record. His life as an engaged intellectual, public citizen, and concerned educator was admired and emulated by W. E. B. Du Bois. This collection, which spans a half a century from the end of Reconstruction through the vagaries of World War I and the rise of Jim Crow, gives us window we have not had before into the challenges and ambiguities of this period. As a committed intellectual, concerned educator and loyal citizen, he served as an ambassador to and for his race to several generations of people both in the U.S and abroad. In Scarborough's writings we have a portrait of a man whose struggle for physical and intellectual freedom can inform us all.
Being Property Once Myself
Winner of the William Sanders Scarborough Prize “This trenchant work of literary criticism examines the complex ways...African American authors have written about animals. In Bennett’s analysis, Richard Wright, Toni Morrison, Jesmyn Ward, and others subvert the racist comparisons that have ‘been used against them as a tool of derision and denigration.’...An intense and illuminating reevaluation of black literature and Western thought.” —Ron Charles, Washington Post For much of American history, Black people have been conceived and legally defined as nonpersons, a subgenre of the human. In Being Property Once Myself, prize-winning poet Joshua Bennett shows that Blackness has long ...
Thinking Through Crisis
Turns to 1930s African American literature to offer a critical response to Trauma Theory. This theoretical discourse carries a nostalgia for "European Man" that limits its understanding of racial and class antagonisms. Consequently, its version of "bearing witness" yields a political passivity that cannot address the injustices of racism as they are linked to class conflict. Against the political passivity produced by this idealist approach, this book offers a materialist theory of trauma that develops concepts for identifying the agency that Black life produces amid social breakdown.
Freedom Time
"In Freedom Time, Anthony Reed reclaims the power of black experimental poetry and prose by arguing that if literature fundamentally serves the human need for freedom in expression, then readers and critics must see it as something other than a reflection of the politics of social protest and identity formation. Prior to the successful campaigns against Jim Crow segregation in the U.S. and colonization in the Caribbean, literary politics seemed much more obviously interventionist. As more African Americans and Afro-Caribbean writers gained access to formal political power, more writing emerged whose political concerns went beyond improving racial representation, appealing for social recognit...
Embodied Avatars
"Tracing a dynamic genealogy of performance from the nineteenth century to the twenty-first, McMillian contends that black women artists practiced a purposeful self-objectification, transforming themselves into art objects. In doing so, these artists raised new ways to ponder the intersections of art, performance, and black female embodiment."--Back cover.
Cultivation and Catastrophe
Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- PART 1: CULTIVATION -- 1 Cultivating the New Negro: The Provision Ground in New York -- 2 Cultivating the Nation: The Reterritorialization of Black Poetry at Midcentury -- 3 Cultivating the Caribbean: "The Star-Apple Kingdom," Property, and the Plantation -- PART 2: CATASTROPHE -- 4 Continuing Catastrophe: The Flood Blues of Sterling Brown and Bessie Smith -- 5 Collecting Catastrophe: How the Hurricane Roars in Zora Neale Hurston's -- 6 Collecting Culture: Hurricane Gilbert's Lyric Archive -- Coda: Unnatural Catastrophe -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z
Half in Shadow
Nellie Y. McKay (1930–2006) was a pivotal figure in contemporary American letters. The author of several books, McKay is best known for coediting the canon-making Norton Anthology of African American Literature with Henry Louis Gates Jr., which helped secure a place for the scholarly study of Black writing that had been ignored by white academia. However, there is more to McKay’s life and legacy than her literary scholarship. After her passing, new details about McKay’s life emerged, surprising everyone who knew her. Why did McKay choose to hide so many details of her past? Shanna Greene Benjamin examines McKay’s path through the professoriate to learn about the strategies, sacrifices, and successes of contemporary Black women in the American academy. Benjamin shows that McKay’s secrecy was a necessary tactic that a Black, working-class woman had to employ to succeed in the white-dominated space of the American English department. Using extensive archives and personal correspondence, Benjamin brings together McKay’s private life and public work to expand how we think about Black literary history and the place of Black women in American culture.
