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William S. Hart was, in a way, the personification of a United States that moved from hardscrabble frontier to flourishing industrial giant in the space of just a few generations. Born about 1864 to immigrant parents in Newburgh, New York, on the Hudson River, Hart grew up poor and ill-educated in the upper Midwest. He went off to Europe as a teenager to learn acting and spent twenty-five-years on the American stage. Mr. Hart moved to California to enter the motion-picture field in 1914. While a novice screen actor, he nevertheless had thorough stage training, and he had known the West when the West was a frontier, so reinventing himself as a cowboy hero and director of silent movies seemed ...
"Nickelodeon cowboy star William S. Hart thrilled millions of fans in over 70 shoot-'em-ups in the early days of silent cinema. After completing his film career in 1925, Hart retired to Horseshoe Ranch in Newhall, California, where he lived until his death in 1946. Hart willed the property to the County of Los Angeles, requesting that it become a park and museum, stating: "When I was making pictures, the people gave me their nickels, dimes, and quarters. When I am gone, I want them to have my home." William S. Hart Park stands as a fitting testament to Hart's life and generosity. On its 265 acres, visitors can tour his 22-room retirement mansion and ranch house, picnic on the park's spacious tree-shaded lawns, wander miles of trails, feed animals at the barnyard, and admire the herd of American bison, descendants of those gifted to the park by Walt Disney. The park is also home to Heritage Junction, which houses many of Santa Clarita's most historic buildings and serves as headquarters for the Santa Clarita Valley Historical Society."--Back cover.
The great American Westerns can be profoundly meaningful when read metaphorically. More than mere shoot 'em up entertainment, they are an essential part of a vibrant, evolving national mythology. Like other versions of the archetypal Hero's Journey, these films are filled with insights about life, love, nature, society, ethics, beauty and what it means to be human, and are key to understanding American culture. Part film guide, part historical survey, this book explores the mythic and artistic elements in 52 great Westerns--some orthodox, some subversive--from the genre's first half-century. Each film is given detailed critical analysis, from the earliest silent movies to Golden Age classics like Red River (1948), High Noon (1952) and Shane (1953).
For many years, movie audiences have carried on a love affair with the American West, believing Westerns are escapist entertainment of the best kind, harkening back to the days of the frontier. This work compares the reality of the Old West to its portrayal in movies, taking an historical approach to its consideration of the cowboys, Indians, gunmen, lawmen and others who populated the Old West in real life and on the silver screen. Starting with the Westerns of the early 1900s, it follows the evolution in look, style, and content as the films matured from short vignettes of good-versus-bad into modern plots.
"The golden west boys, "Injun" and "Whitey"" by William S. Hart. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Many of the stars of silent westerns were young horse wranglers who left the open fields to make extra money bulldogging steers and chasing Indians around arenas in traveling Wild West shows. They made their way to Hollywood when the popularity of the Wild West shows began to decline, found work acting in action-packed silent westerns, and became idols for early moviegoers everywhere. More than 100 of those cowboys who starred in silent westerns between 1903 and 1930 are highlighted in this work. Among those included are Art Acord, Broncho Billy Anderson, Harry Carey, Fred Cody, Bob Custer, Jack Daugherty, William Desmond, William Duncan, Dustin Farnum, William Farnum, Hoot Gibson, Neal Hart, William S. Hart, Jack Holt, Jack Hoxie, Buck Jones, J. Warren Kerrigan, George Larkin, Leo Maloney, Ken Maynard, Tim McCoy, Tom Mix, Pete Morrison, Jack Mower, Jack Perrin, William Russell, Bob Steele, Fred Thompson, Tom Tyler, and Wally Wales, to name just a few. Biographical information and a complete filmography are provided for each actor. Richly illustrated with more than 300 movie stills.
Celebrates the fiftieth anniversary of this premier museum in Oklahoma City, offering both an institutional history and a captivating collection of photographs representing its extensive holdings. Simultaneous.
Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world.
Newhall's many firsts include the first gold discovery in California and the first commercially successful oil well, which led to the first pipeline and oil refinery in California. Some of the earliest movie location filming was done here. First recorded by Juan Crespi on the Sacred Expedition of 1769, the Little Santa Clara Valley was recognized by the Spanish as an important junction between the mountain ranges separating Northern and Southern California. The early city fathers of Los Angeles saw the settlement of Newhall as an integral part of their strategy for growth from the days of the stagecoach and railroad through to the building of Ridge Route and Interstate 5. This book tells the story of the town that never quite lived up to its potential but still managed a varied history with a colorful cast rivaling those of the movies filmed here.