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The London Stage
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The London Stage, 1660-1800: 1660-1700, edited by W. Van Lennep, with a critical introd. by E. L. Avery and A. H. Scouten
CONTENTS.--pt. 2. 1700-1729, edited with a critical introd. by E. L. Avery.
An Alternative Path
Like many other American medical schools, Hahnemann has had its share of problems, financial and otherwise. The civil rights and radical student movements of the 1960s and 1970s, however, pushed the College into a more politically conscious view of itself as a health care provider to the inner city and as a producer of health professionals.
A Passion for Performance
A Passion for Performance: Sarah Siddons and Her Portraitists brings together three engaging essays – by Robyn Asleson, Shelley Bennett and Mark Leonard, and Shearer West – that recreate the eventful life, both on and off the stage, of the great eighteenth-century actress Sarah Siddons. Siddons was renowned for her bravura performances in tragic roles, and her fame was enhanced by the many portraits of her painted by the leading artists of the day. The greatest of these was Sir Joshua Reynolds’s Sarah Siddons as the Tragic Muse, a painting now in the Huntington Art Collections and recently studied at the Getty Center. A Passion for Performance places this magnificent portrait within the context of Siddons’s career as an actress and cultural icon. Includes a chronology of Siddons’s life by volume editor Robyn Asleson.
The Woman Turned Bully
Often attributed to Aphra Behn, The Woman Turned Bully presents the London adventures of a young girl who flees her home in the country, disguised as a man, to escape an arranged marriage. As she seeks inspiration in the theatre to personate the gallant, the play offers an amusing satire of the extravagances of the rake-hero of Restoration comedy. A remarkable gallery of secondary characters includes a ridiculous old lawyer and his clerk, a strong-willed country widow who drinks and smokes tobacco, and an amorous old maid. Its well-structured plot, lively dialogues and comic situations recommend it as an entertaining play for today's readers and prospective audiences. .This is the first edition of the play since its original publication in 1675. The editors offer a modernised text, with abundant critical notes and an introduction which places it in its literary and theatrical context.
