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Literature and science are two disciplines are two disciplines often thought to be unrelated, if not actually antagonistic. But Robert J. Scholnick points out that these areas of learning, up through the beginning of the nineteenth century, "were understood as parts of a unitary endeavor." By mid-century they had diverged, but literature and science have continued to interact, conflict, and illuminate each other. In this innovative work, twelve leaders in this emerging interdisciplinary field explore the long engagement of American writers with science and uncover science's conflicting meanings as a central dimension of the nation's conception of itself. Reaching back to the Puritan poet-min...
American science fiction, both literature and film, has played a key role in the portrayal of the fears inherent in the Cold War. Working through key texts, this work investigates the political inflexions put on American narratives in the post-war decades by Cold War cultural circumstances.
A companion to The Directory of rural development projects, Voices... encourages networking the exchange of significant means to sustainable development. The effective principles require accomodation to the subject country's culture, system of government, stage of economic growth and resource availability related to local needs. A study of the child figure in American fiction and of the language of children in literature, based on close readings of novels and short stories, from the classics of Hawthorne, James, and Cather to modern and contemporary works by Henry Roth, William Peter Blatty and Toni Morrison. Annotation copyrighted by Book News, Inc., Portland, OR
‘Before Einstein’ brings together previous scholarship in the field of nineteenth-century literature and science and greatly expands upon it, offering the first book-length study of not only the scientific and cultural context of the spatial fourth dimension, but also the literary value of four-dimensional theory. In addition to providing close critical analysis of Charles Howard Hinton’s Scientific Romances (1884–1896), ‘Before Einstein’ examines the work of H. G. Wells, Henry James and William James through the lens of four-dimensional theory. The primary value of Hinton’s work has always been its literary and philosophical content and influence, rather than its scientific au...
This compilation of reader response to Jonathan Edwards, spanning 276 years, includes a reprint of two earlier works ? Jonathan Edwards: A Reference Guide (1981) and Jonathan Edwards: An Annotated Bibliography (1994) ? and the publication of a third, a gathering of commentary from 1994 to 2005. Nearly 140 essays have been added to the first and second works, while the last new gathering ? which includes a celebration of the tercentenary of Edwards??'s birth ? adds another 700 to the whole. The text preserves the pattern of arranging items alphabetically within a given year and of recording cross-references. Essays in a collection are annotated serially rather than alphabetically. Each of the three sections is self-contained with an introduction and annotated bibliography of its own. Adding to the immense value of this work to Edwards scholars are the chronology of Edwards??'s works, listed by date and by short and long title, which precedes the entire work, and the three comprehensive indexes ? of authors and titles, of subjects, and additions to the previous volumes.
Drama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. In this 2005 book Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theatre is viewed by Richards as a transatlantic hybrid in which British theatrical traditions in writing and acting provide material and templates by which Americans see and express themselves and their relationship to others. Through intensive analyses of plays both inside and outside of the early American 'canon', this book confronts matters of political, ethnic and cultural identity by moving from play text to theatrical context and from historical event to audience demography.
This study of the works of late eighteenth-century American Gothic author Charles Brockden Brown argues that Brown was a seminal figure in the development of four forms of Gothic fiction: the Frontier Gothic, the Urban Gothic, the Psychological Gothic, and the Female Gothic.
These essays assess the nature of nuclear war literature from a variety of perspectives. Scholars, activists, novelists, poets, and teachers challenge nuclear ideologies and traditional readings of apocalyptic texts. Included: Holocaust literature of the 1950s, Michael Dorris and Louise Erdrich, poetry and nuclear war, Riddley Walker, Fiskadoro, haiku and Hiroshima, Kopit's End of the World, O'Brien's The Nuclear Age, and Vonnegut's cataclysmic novels.
The bodies of tradition discussed here range from the Puritan concept of nature to Puritan casuistry. Three of the traditions presented - nature, casuistical, and elegiac - are analyzed for the way in which they help us understand the basic ideas in and the development of Taylor's poetry.