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Wim Delvoye
Wim Delvoye (b. 1965) is known for his inventive and often controversial projects, and his work has been exhibited around the world. One of a generation of Belgian artists who have revolutionized contemporary art, Delvoye explores the body and its functions, producing art that combines the attractive and the repulsive, and addresses themes including religion and politics. One of his most famous works is Cloaca, a digestion machine; another significant project involves tattooed live pigs. Coinciding with Delvoye's exhibition as guest of honor at the Louvre, Wim Delvoye Introspective is the culmination of close collaboration between the artist and distinguished scholars and critics. This publication presents a complete overview of works by the artist, demonstrating the range of media, technique, and thought-provoking subjects that defines his art. Distributed for Mercatorfonds
Wim Delvoye
Wim Deloye cultive le paradoxe. Avec chaque parodie, il fait ressortir un thème profond ; avec chaque provocation, il exprime une affection profonde. Il utilise le terme "gothique" sous tous ses sens.
Wim Delvoye
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Wim Delvoye
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Wim Delvoye
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Wim Delvoye
Belgian artist Wim Delvoye was born in 1965. This book presents his very earliest work, from prekindergarten through the beginnings of elementary school. Preserved by his prescient mother, they show how a young child is being directed, limited, and influenced by contemporary iconography, and offer, as well, an ironic commentary on contemporary art and the merchandising that accompanies the current art scene.
Wim Delvoye
Borrowing its name from the ancient sewer in Rome, Belgian conceptualist Wim Delvoye's new and improved "Cloaca" is a room-sized shit-making machine whose bowels process two meals a day, serving up a mouthful of complex themes: scatalogy and disgust, high and low culture, man as machine and vice-versa, and the inversion of art semiotics. Many of these same concerns are processed in Delvoye's other work, like the life-sized carved walnut replica of a cement truck, the wood cabinet stocked with 32 circular saw blades painted with scenes in Delft China blue, and a herd of pigs tatooed by Antwerp's finest needle-men. Feces and other anal subjects are parsed in accompanying essays by such luminaries as Milan Kundera, Gerardo Mosquera, Dan Cameron, Georges Bataille and Salvador Dali.
Wim Delvoye
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Wim Delvoye
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