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Text by Agustin Perez Rubio, Bill Arning, Cerith Wyn Evans. Interview with Hans Ulrich Obrist.
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This book features Jean-Michel Basquiat's work from 1981 - the year of his first official participation in the group exhibition New York/New Wave at PS1 of New York - to his premature death in 1988.
This groundbreaking text brings together experts in the field of visual art markets to answer some fundamental questions: Is art a good investment? Why is the art market dominated by America and Western Europe? Where are the key emerging markets and what are the next good buys in art? Providing readers with an understanding of the challenges facing art market 'makers' (dealers, auctioneers, collectors and artists) and the decision-making process experienced by market 'players' and investors, this exciting text merges the key theories with examples of practice in a highly accessible style. Written by an international array of experts from the US, the UK and China, this book is essential reading for all those studying or interested in art markets and management.
It has been more than fifty years since John Waters filmed his first short on the roof of his parents’ Baltimore home. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. This major retrospective examines the artist’s influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. These works deploy Waters’s renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy. Waters has broadened our understanding of American individualism, particularly as it...
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Josh Smith's work focuses on themes of authenticity and authorship. He first became known for paintings in which he used his name as a motif on the canvas, shattering the myth of the artist through an act of ironic self-marketing. In his latest series, Abstraction, Smith creates archetypes from abstract paintings--airy compositions in lively colors. Although he takes his stylistic cue from the Abstract Expressionist school, which bestowed mythical status upon the artist, Smith's unusual color combinations and cartoon-like forms retain little of this weighty background. His appropriations from abstract painting are quite direct, and endow this artistic tradition with a refreshing lack of pretension. The first volume of this slipcased set features Smith's abstract paintings; the second features his palette paintings--palettes on which the artist has squeezed out his brushes, pursuing a completely straightforward aesthetic of simple forms. A text booklet contains an interview with the artist.
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Procurement analysis, sales planning, customer orientation, brand management—the art market is changing more rapidly than ever before. The price that a work of art commands influences its place in the art-historical canon. Auction houses have become dominant avenues of distribution, as have art fairs, galleries, and art dealers. Even today the ritual dramaturgy of the auction resembles an archaic competition, which can leave participants speechless and captivate bystanders. At the center of the action is the auctioneer, whose performance is increasingly critical to the success of the auction. With portraits of auctioneers, this volume tells the story of the art auction business. Key events that played out in cities such as New York, Paris, Zurich, Berlin, Stuttgart, and Pompeii come alive and show how the auctioneer is emerging from the anonymity of a service provider and stepping into the limelight as the star of the show.