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In the Embrace of the Swan
  • Language: en
  • Pages: 406

In the Embrace of the Swan

Myths determine the way cultures understand themselves. The papers in this volume examine culturally specific myths in Britain and the German-speaking world, and compare approaches to the theory of myth, together with the ways in which mythological formations operate in literature, aesthetics and politics ‐ with a focus on the period around 1800. They enquire into the consequences of myth-oriented discourses for the way in which these two cultures understand each other, and in this way make a significant contribution to a more profound approach to intercultural research.

Goethe Yearbook 14
  • Language: en
  • Pages: 280

Goethe Yearbook 14

Focuses on childhood in the Age of Goethe, in addition to various other topics and works. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe Scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcoming contributions from scholars around the world. Volume 14 features a special section on childhood in the Age of Goethe, co-edited with Anthony Krupp. In addition, readers will find two essays illuminating Goethe's Triumph der Empfindsamkeit, an inspired reading of Das Märchen again...

The Reception of Ossian in Europe
  • Language: en
  • Pages: 521

The Reception of Ossian in Europe

  • Type: Book
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  • Published: 2008-12-22
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  • Publisher: A&C Black

Collection of international research surveying the reception of James Macpherson's Ossian poems in European literature and culture.

Edinburgh History of the Book in Scotland, Volume 2: Enlightenment and Expansion 1707-1800
  • Language: en
  • Pages: 688

Edinburgh History of the Book in Scotland, Volume 2: Enlightenment and Expansion 1707-1800

Studies the book trade during the age of Fergusson and BurnsOver 40 leading scholars come together in this volume to scrutinise the development and impact of printing, binding, bookselling, libraries, textbooks, distribution and international trade, copyright, piracy, literacy, music publication, women readers, children's books and cookery books.The 18th century saw Scotland become a global leader in publishing, both through landmark challenges to the early copyright legislation and through the development of intricate overseas markets that extended across Europe, Asia and the Americas. Scots in Edinburgh, Glasgow, London, Dublin and Philadelphia amassed fortunes while bringing to international markets classics in medicine and economics by Scottish authors, as well as such enduring works of reference as the Encyclopaedia Britannica. Entrepreneurship and a vigorous sense of nationalism brought Scotland from financial destitution at the time of the 1707 Union to extraordinary wealth by the 1790s. Publishing was one of the country's elite new industries.

Literature of the Sturm und Drang
  • Language: en
  • Pages: 391

Literature of the Sturm und Drang

Carefully focused essays on major aspects of one of the most significant German literary movements, the Storm and Stress.

Beauty Or Beast?
  • Language: en
  • Pages: 324

Beauty Or Beast?

  • Categories: Art

German Literaure: a Very Short Introduction Nicholas Boyle --

Edinburgh History of the Book in Scotland, Volume 2
  • Language: en
  • Pages: 688

Edinburgh History of the Book in Scotland, Volume 2

The first thorough study of the book trade during the age of Fergusson and Burns.

Romantik 2019. Journal for the Study of Romanticisms
  • Language: en
  • Pages: 174

Romantik 2019. Journal for the Study of Romanticisms

  • Type: Book
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  • Published: 2019-12-09
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  • Publisher: V&R unipress

“Romantik. Journal for the Study of Romanticisms” is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. The journal promotes innovative research across disciplinary borders. It aims to advance new historical discoveries, forward-looking theoretical insights and cutting-edge methodological approaches. The articles range over the full variety of cultural practices, including the written word, visual arts, history, philosophy, religion, and theatre during the romantic period (c. 1780–1840). But contributions to the discussion of pre- or post-romantic representations are also welcome. Since the romantic era was characterized by an emphasis on the vernacular, the title of the journal has been chosen to reflect the Germanic root of the word. But the journal is interested in all European romanticisms – and not least the connections and disconnections between them – hence, the use of the plural in the subtitle. Romantik is a peer-reviewed journal supported by the Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS).

Truth in Serial Form
  • Language: en
  • Pages: 344

Truth in Serial Form

This volume has its starting point in the veritable explosion of serialized formats in all of forms representation, from painting to printing, beginning in the mid nineteenth century and the well-known fascination with series in biology, mathematics, music, art, or literature. The new media culture of the late nineteenth century, very much shaped by these serialized formats, sees itself confronted with questions of truthfulness in new and profound ways, just as perhaps the accelerated rhythm, anonymity, and broadened accessibility of new media today have created new possibilities for the dissemination of misinformation and, conversely, give us cause to interrogate anew our notions of truthfu...

Theatre Translation in Performance
  • Language: en
  • Pages: 267

Theatre Translation in Performance

  • Type: Book
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  • Published: 2013-04-02
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  • Publisher: Routledge

This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors. Exploring the role and function of the translator as co-subject of the performance, it addresses current issues concerning the role of the translator for the stage, as opposed to the one for the editorial market, within a multifarious cultural context. The current debate has shown a growing tendency to downplay and challenge the notion of translational accuracy in favor of a recreational and post-dramatic attitude, underlying the role of the director and p...