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For more than thirty years, the prospect of unlimited fusion energy has attracted scientists and the public. Joan Lisa Bromberg's book documents the history of the American magnetic fusion reactor program. It is also a lively account that will inform interested citizens of limited technical background who are concerned with the nation's energy strategy. The book carries the story from the program's inception under the auspices of the Atomic Energy Commission in 1951 to its operations under the then-new Department of Energy in 1978. Fusion concentrates on the four federally funded laboratories where most of the money has been spent (about $2 billion so far): Oak Ridge, Los Alamos, Lawrence Li...
A groundbreaking look at one of the great song composers of the late Romantic period In the virtual cottage industry of works on fin de siècle Vienna, Hugo Wolf (1860–1903) has been somewhat neglected, perhaps because he was the master of a small genre—the late Romantic lied—and never truly made his mark in the larger forms that command greater public attention. But in the realm of song, he is among the greatest inheritors of Schubert and Schumann, one who was both a traditionalist and a modernist. When the Viennese critic Eduard Hanslick disapprovingly dubbed Wolf “the Richard Wagner of the lied,” he was paying oblique homage to Wolf’s genius as a song composer in the most mode...
Rock and roll's death has been forecast nearly since its birth; the country song "The Death of Rock and Roll" appeared in September 1956, showing that the music had already outraged a more conservative listening audience. Is Rock Dead? sets out to explore the varied and sometimes conflicting ways in which the death of rock has been discussed both within the discourse of popular music and American culture. If rock is dead, when did it die? Who killed it? Why do rock journalists lament its passing? Has its academic acceptance stabbed it in the back or resuscitated an otherwise lifeless corpse? Why is rock music the music that conservatives love to hate? On the other side of the coin, how have rock's biggest fans helped nail shut the coffin? Does rock feed on its own death-and-rebirth? Finally, what signs of life are there showing that rock, in fact, is surviving? Is Rock Dead? will appeal to all those who take seriously the notion that rock is a serious musical form. It will appeal to students of popular music and culture, and all those who have ever spun a 45, cranked up the radio, or strummed an air guitar.
This book provides a timely synthesis and discussion of recent developments in mindfulness research and practice within mental health and addiction domains. The book also discusses other Buddhist-derived interventions – such as loving-kindness meditation and compassion meditation – that are gaining momentum in clinical settings. It will be an essential text for researchers and mental health practitioners wishing to keep up-to-date with developments in mindfulness clinical research, as well as any professionals wishing to equip themselves with the necessary theoretical and practical tools to effectively utilize mindfulness in mental health and addiction settings.
A Delicate And Moving Love Story, Both Intricate And Intimate, Rich With Music, Art, Humour And Emotion.
In this work Dan Rottenberg shows how to successfully trace your Jewish family back for generations by probing the memories of living relatives; by examining marriage licenses, gravestones, ship passenger lists, naturalization records, birth and death certificates, and other public documents; and by looking for clues in family traditions and customs.
Rethinking Hanslick: Music, Formalism, and Expression is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important On the Musicall...
In an engaging narrative, The Jews of Long Island tells the story of how Jewish communities were established and developed east of New York City, from Great Neck to Greenport and Cedarhurst to Sag Harbor. Including peddlers, farmers, and factory workers struggling to make a living, as well as successful merchants and even wealthy industrialists like the Guggenheims, Brad Kolodny spent six years researching how, when, and why Jewish families settled and thrived there. Archival material, including census records, newspaper accounts, never-before-published photos, and personal family histories illuminate Jewish life and experiences during these formative years. With over 4,400 names of people who lived in Nassau and Suffolk counties prior to the end of World War I, The Jews of Long Island is a fascinating history of those who laid the foundation for what has become the fourth largest Jewish community in the United States today.