Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Women Film Editors
When the movie business adopted some of the ways of other big industries in 1920s America, women--who had been essential to the industry's early development--were systematically squeezed out of key behind-the-camera roles. Yet, as female producers and directors virtually disappeared for decades, a number of female film editors remained and rose to the top of their profession, sometimes wielding great power and influence. Their example inspired a later generation of women to enter the profession at mid-century, several of whom were critical to revolutionizing filmmaking in the 1960s and 1970s with contributions to such classics as Bonnie and Clyde, Jaws and Raging Bull. Focusing on nine of these women and presenting shorter glimpses of nine others, this book tells their captivating personal stories and examines their professional achievements.
Our Sister Editors
Our Sister Editors is the first book-length study of Sarah J. Hale's editorial career. From 1828 to 1836 Hale edited the Boston-based Ladies' Magazine and then from 1837 to 1877 Philadelphia's Godey's Lady's Book, which on the eve of the Civil War was the most widely read magazine in the United States, boasting more than 150,000 subscribers. Hale reviewed thousands of books, regularly contributed her own fiction and poetry to her magazines, wrote monthly editorials, and published the works of such writers as Nathaniel Hawthorne, Edgar Allan Poe, Harriet Beecher Stowe, and Lydia Sigourney. Okker successfully relates Hale's contributions both to debates about the status of women and to the dev...
Women Editing Modernism
For many years young writers experimenting with forms and aesthetics in the early decades of this century, small journals known collectively as "little" magazines were the key to recognition. Joyce, Stein, Eliot, Pound, Hemingway, and scores of other iconoclastic writers now considered central to modernism received little encouragement from the established publishers. It was the avant-garde magazines, many of them headed by women, that fostered new talent and found a readership for it. Jayne Marek examines the work of seven women editors—Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D., Bryher (Winifred Ellerman), and Marianne Moore—whose varied activities, ofte...
Women Editing/Editing Women
This collection of essays links current research in the writings and editing of early modern women and in those women who were themselves early editors with a new methodology of editing currently titled “the new textualism.” As such, the collection seeks to solve two problems. The first concerns the difficulty of editing the works of early modern women writers for whom there is little biographical data, a challenging task when the standard “life and works” format is thus inhibited. Second, related but slightly different, occurs because, although we know that there were women who edited in the early modern and even later periods, we know little about them as well. The new textualism a...
Queens of Print
For fifty years our most powerful popular culture influencers have been the high-powered editors of mass-market women’s magazines like The Australian Women’s Weekly, Woman’s Day, New Idea and the now defunct Dolly, Cleo and Cosmopolitan. It is difficult to overstate the influence that these women have had in shaping popular ideas and attitudes, feminism, and femininity in Australia via the pages of their magazines. In these interviews, they describe their lives and careers in a medium that is part of our publishing heritage. Queens of Print is a tribute to the most influential and iconic women in Australian women’s magazines. It is a snapshot of a rapidly changing industry where print is supposedly dead, and media have been disrupted. This book looks back, but also forward to consider what a magazine might be and what a magazine editor might do in future decades.
Women Editing Modernism
Jayne Marek examines the work of seven women editorsHarriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D. (Hilda Doolittle), Bryher (Winifred Ellermann), and Marianne Moore - whose varied activities, often behind the scenes and in collaboration with other women, contributed substantially to the development of modernist literature. Through such publications as Poetry, The Little Review, The Dial, and Close Up, these women had a profound influence that has been largely overlooked by literary historians. Marek devotes a chapter as well to the interactions of these editors with Ezra Pound, who depended upon but also derided their literary tastes and accomplishments. Pound's opinions have had lasting influence in shaping critical responses to women editors of the early twentieth century. In the current reevaluation of modernism, this important book, long overdue, offers an indispensable introduction to the formative influence of women editors, both individually and in their collaborative efforts.
Newspaper Fashion Editors in the 1950s and 60s
This book documents the careers of newspaper fashion editors and details what the fashion sections included in the post-World War II years. The analysis covers social, political and economic aspects of fashion. It also addresses journalism ethics, fashion show reporting and the decline in fashion journalism editor positions.
Editing Early Modern Women
This collection of new essays is a comprehensive exploration of the theoretical and practical issues surrounding the editing of texts by early modern women. The chapters consider the latest developments in the field and address a wide range of topics, including the 'ideologies' of editing, genre and gender, feminism, editing for student or general readers, print publishing, and new and possible future developments in editing early modern writing, including digital publishing. The works of writers such as Queen Elizabeth I, Mary Wroth, Anne Halkett, Katherine Philips and Katherine Austen are examined, and the issues discussed are related to the ways editing in general has evolved in recent years. This book offers readers an original overview of the central issues in this growing field and will interest students and scholars of early modern literature and drama, textual studies, the history of editing, gender studies and book history.
Shakespeare's ‘Lady Editors'
This bold and compelling revisionist history tells the remarkable story of the forgotten lives and labours of Shakespeare's women editors.
Equal to the Occasion
The lives, publications, and historical contexts of thirty-five female editors of newspapers and periodicals in the 19th-century West, from 1854, when the West's first woman editor began her work, through the turn of the century. With its in-depth portraits of pioneering women editors and its appendix listing more than two hundred women and the major repositories where their extant publications are kept, the book draws a large group of 19th-century western women out of historical obscurity. Neveda Studies in History and Political Science.
